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Traumliege
1987
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1987
Video sculpture [English title, Dream bed] INSTANT body, INSTANT coitus, INSTANT dreams The fast-paced images are freeze-dried, the fast-paced dreams static, the people coded, the codes interchangeable. Porn is the dream of de-sensualized sexuality,
Tür für Huxley
1989
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1989
video
Interactive computer video installation Three doors of the environment 'Tür für Huxley' ('Door for Huxley') simulate the entrance to different realities. The observer has the choice between pure observance of a conserved and continuosly repeating
Dialogue in Transition
2010
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2010
The computerised light installation 'Dialogue in Transition' employs the transitory character of the 110-meter-long “netwalk” of the EnBW building in Stuttgart, which connects all parts of the complex. Twelve 35 cm-high light sticks with white LEDs
Digital Synesthesia: A Model for the Aesthetics of Digital Art
2016
Gsöllpointner, Katharina and Ruth Schnell and Romana K. Schuler. Digital Synesthesia: A Model for the Aesthetics of Digital Art. Berlin/Boston: Walter de Gruyter, 2016.
Ruth Schnell-- Das Sehen re-konstruieren
1998
Hofleitner, Johanna. Ruth Schnell-- Das Sehen re-konstruieren EIKON - Internationale Zeitschrift für Photographie & Medienkunst 24 (1998).
On the occasion of La Biennale di Venezia 1995
1995
Schnell, Ruth. On the occasion of La Biennale di Venezia 1995 In On the occasion of La Biennale di Venezia 1995, edited by Ruth SchnellVienna: 1995.
Curvature
2015
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2015
video
Robotic object, performance A 3D printing pen attached to a robot in motion produces random topographies out of plastic filament, set at regular intervals. The resulting spatiality oscillates between liability and dissolution. The work was conceived
Concertina
2017
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2017
Print on gold-plated steel An UV print on gilded steel features a series of ornamental patterns. As in the project 'Violating Patterns (2014)', 'Concertina' adopts representations of NATO barbed wire models from the product catalogue of a
Grenzzaun
2014
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2014
Installation with 3D printed objects The border between the USA and Mexico is one of the most frequented borders in the world. Its fortifications serve primarily to control migration and the transaction of goods. The wall piece 'Grenzzaun' consists
Paravent
1991
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1991
Video sculpture In co-production with Gudrun Bielz The 'Paravent' functions as a projection screen, displaying a video of a car wash routine captured from the inside of a car. The 'Paravent' shifts its normal function as a private object and becomes
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