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  • living particles (version 59), 2009
    Autonomous audio kinetic installation
    The autonomous audio-kinetic installation consists of small minimalist robotic modules. The modules work autonomously on the basis of solar power, produce sounds and...
  • JAN 28 - MAY 21, 2000 ICC, Tokyo, JP
    AUG 23 - SEP 26, 2003 Voormalig Gerechtsgebouw, Utrecht, NL

    concept, composition: Ryoji Ikeda

    commissioned by NTT InterCommunication Center (ICC), 2000

  • A -
    date | place

    APR 26 - JUN 18, 2000 Hayward Gellery, London, UK



    tech spec

    speaker HHB Circle 5 8
    power amplifier non-specific 4
    8ch HD playback system AKAI DR8 1
    white wall non-specific 2
    white...
  • Beyond Manzanar is an interactive 3D virtual reality environment, a metaphorical landscape that explores political scapegoating of ethnic populations in times of crisis. The historic experiences of Japanese Americans in World War II and the more...
  • World Wide VIP -
    Three accessories identify a VIP: his/her passport, cell phone and international credit card. One sculpture condenses these three products into one. To attain this trophy, visitors must take a journey dotted with contradictory messages vaunting the...
  • Documentary
  • A documentary about William Kentridge. Duration: 52 minutes.
  • [V]ote-Auction -
    Voteauction* was a Website which offered US citizens to sell their presidential vote to the highest bidder during the Presidential Elections 2000, Al Gore vs. G.W. Bush.

    Several US States (Missouri, Wisconsin, Chicago, Arizona, Nevada, Caifornia,...
  • artTrap -
    In the main gallery of a contemporary art museum.
    A big one...

    A cubic room de 4 x 4 x 3m.No ceiling.

    The top of the box is open.

    This room is surrounded by 4 walls. In the middle of each wall : a door. At the beginning the door height is...
  • Dans les projets de conception d’exposition, je m’efforce de considérer la scénographie comme une composante significative du message véhiculé par le projet muséographique. Nous sommes en effet passés d’une époque où le muséographe avait...