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Brigitte Neufeldt
Statement Seit Mitte der 90er Jahre des letzten Jahrhunderts beschäftige ich mich mit dem urbanen Raum, Naturphänomenen, dem menschlichen Körper, politischen Themen und virtuellen Welten. Im Rahmen meines Kunststudiums habe ich Werke entwickelt,
Mirko Lazovic
Mirko Lazović graduated at the University of Arts in Belgrade and Royal Academy in The Hague, got his MA from the Royal Conservatory in the Hague (2008). His installations place strong thematic emphasis on presence, interactivity, and compositional
QUARXS 90S
2016
At the beginning of the 90s, Quarxs was the very first 3D graphics HD TV series widely awarded as a pioneer TV program. Conceived in collaboration with comics author Francois Schuiten and Benoît Peeters, it has become a reference in the history of
Kwangju Biennale 1997
1997
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1997
Theme: Unmapping The Earth.
Art Futura 2000: Internet as Cyborg
2000
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2000
Theme: Internet as Cyborg.
The virtual thematic route Emil Benčić : from experience to infinityhttps://isea2016.scm.cityu.edu.hk/openconf/modules/request.php?module=oc_program&action=view.php&id=265&type=4&a=
20
Lavoslava Benčić. The virtual thematic route Emil Benčić : from experience to infinity https://isea2016.scm.cityu.edu.hk/openconf/modules/request.php?module=oc_program&action=view.php&id=265&type=4&a= ISEA International. (20): 20-26.
BEAP 2002: PREMISE
2002
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2002
BEAP is an international event which includes a conference,symposiums, forum and exhibition presenting the theoretical, cultural and philosophical basis of Electronic Arts practice. The inaugural thematic focus for BEAP is LOCUS, the place where we
William Kentridge: What will come…has already come
2007
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2007
Mit der Präsentation neuer Arbeiten – Zeichnungen, Drucke, Stereoskopien und einer 8-minütigen filmischen Anamorphose – schließt William Kentridge sein Engagement als erster Inhaber der Max-Beckmann-Stiftungsprofessur in Frankfurt ab. Kentridges
Art Futura 1997: The Future of the Future
1997
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1997
Theme: the future of the future.
Kwangju Biennale 2002
2002
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2002
Theme: Pause.
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