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  • Grond, F. and C. Robles. INTERMITTENT – a Generative Audio-Visual Installation. Performative Science and Beyond, Involving Process in Research, Hans. H. Diebner editor,Springer Verlag (2006): 128 – 131.
  • Performative Event in Second Life
  • “falling asleep” is an online interactive and performative virtual self-portrait, a ludic yet introspective journey into the depths of sleeplessness and the artist’s long-lasting struggle with insomnia. Clones of Martina’s body fall relentlessly and
  • The Behaviour of Objects is rAndom’s first gallery exhibition in London with Carpenters Workshop Gallery in Mayfair. Exhibiting both ‘Swarm Light’ and ‘Self Portrait‘, the show lays the ground for a significant expansion of the studios’ performative
  • Strauss, Wolfgang and Monika Fleischmann. Implosion of Numbers: Performative Mixed Reality." In It Works - Architecture as Infrastructure. edited by Eds. Gernot Flachbart and Peter Weibel, Birkhäuser/ZKM, 2005. In n It Works - Architecture as
  • Christina McPhee’s images move within a matrix of abstraction, shadowing figures and contingent effects. Her work emulates potential forms of life, in various systems and territories, and in real and imagined ecologies. Her dynamic, performative,
  • e-waste -
    The first "We have a Situation!" workshop series exploring the problem of e-waste and the creative potential of digital and online technologies took place in London between 19-22 March 2013 with the networked performative event on Saturday 23 March
  • What is transgenic art? How does it influence the landscape of contemporary visual art culture? What is the relationship between art, science, and life? This book focuses on important artistic developments brought forward by the use of genetic
  • “I'm sorry I made you feel that way” is an interactive experience and performative self-portrait exploring new possibilities for empathy and care for our hybrid selves. Martina Menegon’s biometric data collected daily via a wearable smart ring
  • "Outside-in: exile at home" (2018 - 2021) is an installation by digital artist Annabel Castro. In the installation, using a machine learning algorithm, four classic fiction films are continuously torn apart inside a screening room.