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Manovich, Lev. Media Visualization: Visual Techniques for Exploring Large Media Collections http://manovich.net/index.php/projects/media-visualization-visual-techniques-for-exploring-large-media-collections.

Manovich, Lev. From Reading to Pattern Recognition http://manovich.net/index.php/projects/article-2011.

Manovich, Lev. Trending: The Promises and the Challenges of Big Social Data http://manovich.net/index.php/projects/trending-the-promises-and-the-challenges-of-big-social-data.

Manovich, Lev. There is Only Software http://manovich.net/index.php/projects/there-is-only-software.

Simanowski, Robert. Digital Art and Meaning: Reading Kinetic Poetry, Text Machines, Mapping Art, and Interactive Installations. Vol.35. Electronic Mediations, Minneapolis: University of Minnesota Press, 2011.

Gates-Stuart, Eleanor and Richard Wohlfeiler. Finger Codes Imprint, Print Council of Australia 46, no. 2 (2011).

Biggs, Michael and Henrik Karlsson, ed. The Routledge Companion to Research in the Arts. The Routledge Companions, 2011 th ed.London, UK: Routledge, 2011.

Salter, Chris. Timbral Architectures, Aurality's Force. Sound and music In William Forsythe and the practice of choreography: It starts from any point, edited by Steven SpierNew York: 2011.

Jamieson, Helen Varley and Vicki Smith. UpStage: An Online Tool for Real-Time Storytelling Creative Technologies Journal , no. 2 (November 2011).

Papagiannouli, Christina. Cyberformance and the Cyberstage International Journal of the Arts in Society 6, no. 4 (2011).