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  • Painting With Light at Tate Modern -
    For the opening night of the #HYPERLINK festival on 26th April 2013, Alex May debuted a 75 minute ‘Painting With Light’ live video mapping art performance in the South Tank at Tate Modern, London. Using his own custom software, Alex creates scenes
  • Deep Rooted Vision
    Gates-Stuart, Eleanor and Sergio Mononi. Deep Rooted Vision https://earth-our-home.siggraph.org/deep-rooted-vision/ 28.01.2022.
  • Deep Rooted Vision
    Gates-Stuart, Eleanor and Sergio Mononi. Deep Rooted Vision https://earth-our-home.siggraph.org/deep-rooted-vision/ 28.01.2022.
  • Deep Rooted Vision
    Gates-Stuart, Eleanor and Sergio Mononi. Deep Rooted Vision https://earth-our-home.siggraph.org/deep-rooted-vision/ 28.01.2022.
  • Deep Rooted Vision
    Gates-Stuart, Eleanor and Sergio Mononi. Deep Rooted Vision https://earth-our-home.siggraph.org/deep-rooted-vision/ 28.01.2022.
  • Greenness: Sketching the Limits of a Normative Fetish
    Hauser, Jens. Greenness: Sketching the Limits of a Normative Fetish In The Aesthetics of Necropolitics, edited by Natasha LushetichVol.4. Experiments/On the Political, , 97-118. London: Rowman & Littlefield Publishers, 2018.
  • Laboratory Life
    Laboratory Life (For Oryx and Crake) is a series of over-layered photographs taken at scientific laboratories in Europe ( the European Molecular Biology Laboratory (EMBL) in Rome, the Max Planck Institute in Dresden, and a biophysics lab at Imperial
  • Roy Ascott, Artist's Profile
    Moore, Lila. Roy Ascott, Artist's Profile https://wrldrels.org/2020/08/13/roy-ascott/ [30.08.2020].
  • FELIX BURDA MEMORIAL LECTURES - Interdisziplinäre Vorlesungsreihe LMU München / Iconic Turn 2002-2005 -
    https://www.hubert-burda-stiftung.de/iconic-turn
  • The Construction of Experience. Turning Spectators into Visitors
    Courchesne, Luc. The Construction of Experience. Turning Spectators into Visitors In New Screen Media. Cinema/Art/Narrative, edited by Martin Rieser and Andrea ZappLondon, Karlsruhe: BFI London and ZKM Karlsruhe, 2002.
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