Archive Search

Coupe, James. Art, Surveillance and Metadata In Worldmaking as Techné: Exploring Worlds of Participatory Art, Architecture, and Music, edited by M-D. HosaleRolling Meadows: 2016.

PLAZA, Julio. Light Mutation In Connexio: an optical-electronic life for images, edited by DIANA MARIA G DOMINGUESSão Paulo: 1990.

Tenhaaf, Nell. Mysteries of the Bioapparatus In Immersed in Technology: Art, Culture and Virtual Environments, edited by Mary Anne Moser and Douglas MacLeod, 51-71. : The MIT Press and The Banff Centre, 1996.

Beiguelman, Giselle. WYSIWyG or WYGIWyS? (What you see is what you get or what you get is what you see? In pOes1s. Ästhetik digitaler Poesie, edited by Friedrich W. Block and Christiane Heibach and Karin WenzOstfildern-Ruit: Hatje Cantz, 2004.

Schönberger, Otto. Die "Bilder" des Philostratos In Beschreibungskunst-Kunstbeschreibung: Ekphrasis von der Antike bis zur Gegenwart, edited by Gottfried Boehm and Helmut Pfotenhauer, 157-173. München, DE: Wilhelm Fink Verlag, 1995.

... Editora Contracapa, 2003.

Ludovico, Allesandro, ed. Media Hacking vs. Conceptual Art. Basel: Christoph Merian Verlag, 2009.

Fleischmann, Monika. Jetztzeit: Now In Interaktiv: Im Labyrinth der Wirklichkeiten: Über Multimedia, Kindheit und Bildung; über reale und virtuelle Interaktion und Welten, edited by Wolfgang Zacharias and Kulturpolit. Gesellschaft BonnBonn, Essen:

Kac, Eduardo. A-positive In ISEA ´97 Program Guide, edited by The School of the Art Institute of Chicago, 62. Chicago: ISEA, 1997.

Berlot, Uršula. Art in the Age of Genetics Art.Si – Magazine on Art, Architecture, Design and Photography, June 2003. Ljubljana: Art.si (2003).