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  • La Chonchita N=Amour and other recent films by Christina McPhee -
    Event: La Chonchita N=Amour and other recent films by Christina McPheeInstitution: black hole cinemathequeComment:
  • Luz María Sánchez / Recent Projects -
    Solo exhibition.
  • Amphora / Nude Study
    Amphora / Nude StudyArtist: Tamas WaliczkyComment:
  • Entre 0+1: Ampliar os limites do espaco
    Strauss, Wolfgang. Entre 0+1: Ampliar os limites do espaco Revista de Comunicação e Linguagens 25/26 (1998): 185-191.
  • On Location: Kayla Parker
    Presentation of digital film as largescale projection with amplified stereo sound from DCP on continuous loop in the cinema, for seated audience; for Plymouth Arts Centre's exhibition programme of artist's moving image (premiere, 10 to 19 January
  • Infinity Divided by Sixteen video
    In this interactive installation the visual and auditory components of the work were interconnected and closely related. A finely perforated projection screen was visibly divided into sixteen sections. Behind each section was a speaker connected to
  • Design for an Intelligence Amplifier
    Ashby, William Ross. Design for an Intelligence Amplifier In Automata Studies, edited by Claude Shannon and J. Mc Carthy, 215 - 234. Princeton, New Jersey: Princeton University Press, 1956.
  • Sao Paolo Biennale
    A Fundação Bienal de São Paulo é uma das mais importantes instituições internacionais de promoção da arte contemporânea, e seu impacto no desenvolvimento das artes visuais brasileiras é notadamente reconhecido. A Bienal de Artes, seu mais importante
  • Tierra - La idea de crear una amplia red de reservas de biodiversidad para organismos digitales
    Ray, Tom. Tierra - La idea de crear una amplia red de reservas de biodiversidad para organismos digitales In Ars Telematica, Telecomunicacion, Internet y Ciberespacio, edited by Claudia Giannetti, 143-148. Barcelona, ES: ACC L´Angelot, 1998.
  • MULTIPLE voice/vision
    The installation MULTIPLE voice/vision is the output of a research project in the arts, with as focus how friction between multiple layers of sound and vision can be a trigger for embodied perception. A multitrack registration—for both sound and
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