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Charitos, Dimitris and Martin Kusch and Mike Phillips and Marie-Claude Poulin and Ruth Schnell. EMDL European Mobile Dome Lab for Artistic Research In ISEA2015 - 21st International Symposium on Electronic Art - Proceedings, edited by ISEA2015,

Bond, Anthony, ed. The Boundary Rider: 9th Biennale of Sydney. Sydney: Biennale of Sydney, 1992.

Donald Kuspit and Lourdes Cilleruelo and Félix Duque and William V. Ganis and Van Van Proyen and Peio H. Riaño, ed. ARTE DIGITAL Y VIDEOARTE: TRANSGREDIENDO LOS LÍMITES DE LA REPRESENTACIÓN. Madrid: Circulo de Bellas Artes, 2020.

Jacobs, Cornee and Cor Blok. Met computers nieuwe werelden scheppen (Diskussion mit Jeffrey Shaw und Gert-Jan Lokhorst) In Spiraal, tien dialogen tussen kunst en filosofie, edited by Rotterdam Centrum Beeldende KunstRotterdam: Centrum Beeldende

Benayoun, M.. Après-Musée explorable (Art after Museum) www.benayoun.com.

Grau, Oliver. Archäologie des Virtuellen, Stephan Oettermann: The Panorama: History of a Mass Medium Leonardo 32, no. 2 (1999): 143-144.

Prophet, Jane. Sublime Ecologies and Artistic Endeavours: Artificial Life, Interactivity and the Internet Leonardo 29, no. 5 (1996): 339-344.

Benayoun, Maurice. Diabolo ex machina. dérives malignes de la Sainte Ecriture dévoyée par la technologie Sarazine 4 (1996).

Mikos, Lothar. Cyberspace als populäer Text - Medienwissenschaftliche Anmerkungen zu einem kulturellen Phänomen Wechselwirkung 14, no. 57 (1992).

Barnett, Tully. Remediating the Infected Body: Writing the Viral Self in Melinda Rackham's carrier. Biography 1, no. 35 (2012): 45-64.