Archive Search

  • Convergent Landscape: Form and Number
    This installation was a singular contribution to the larger multimedia performance Cloud Theatre: Shanghai Odyssey, a confluence of projected images, videos, urban sounds and a dance theatre that took place in the large domed Shanghai Cement Plant
  • Water Wheel - video
    Water Wheel(1985), a seven channel installation presented through a circle of monitors, incorporating material from The Water Catalogue Music by Bill Seaman In Water Wheel I was exploring fragments from the linear work The Water Catalogue. A
  • Ren Fah
    Ren Fah - is a media-artist and researcher working in the field of Cultural Studies/ Critical Theory and Analysis. He received his PhD. in 2011 from the University of Applied Arts, Vienna. Within the frame of his PhD. project he conducted research
  • Extended Performance – Virtuelle Bühne, Selbstrepräsentanz und Interaktion. Extended Performance – Virtuelle Bühne, Selbstrepräsentanz und Interaktion.
    Fleischmann, Monika and Wolfgang Strauss. Extended Performance – Virtuelle Bühne, Selbstrepräsentanz und Interaktion. Extended Performance – Virtuelle Bühne, Selbstrepräsentanz und Interaktion. Kaleidoskopien, Theatralität, Performance, Medialität.
  • COMBATscience Augmented - video
    Mixed reality installation 'COMBATscience Augmented' reimagines the 2008 multimedia environment 'COMBATscience', realised in cooperation with Cathrin Pichler in the Volkstheater in Vienna, and transforms it into another sensory setting. The life
  • Murmuring Fields Theatre Version
    1999 Fidena, Bochum: Liquid Views , MARS-Field, Murmuring Fields
  • Virtual World
    Cashill, Robert. Virtual World Theatre Crafts International TCI 29, no. 2 (February 1995): 44.
  • Computers as Theatre
    Laurel, Brenda. Computers as Theatre. Amsterdam, NL: Addison-Wesely Longman, 1991.
  • Nalini Malani
    Malani's work is influenced by her experiences as a refugee of the Partition of India. She places inherited iconographies and cherished cultural stereotypes under pressure. Her point of view is unwaveringly urban and internationalist, and unsparing
  • Catherine Mason
    My particular expertise in the history of computer and digital art began in 2002 when I joined an AHRC-funded research group at Birkbeck College, University of London – The CACHe Project (Computer Arts, Contexts, Histories, etc), which investigated
Search results 4051 until 4060 of 6208