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  • Marguerin Mathieu. « Une voyante m’a dit », Keur Thiosane – Artfactories,. Dakar, Senegal: 10th Biennial of Contemporary Art, 2012.
  • Gates-Stuart, Eleanor and Marguerite Bramble and Rafael de Lima and Bernard Higgins and Coralie McKenzie and Samantha Dowdeswell and Robert Lewis. Evoking Memories: Displacing the Fear of Technology Fusion Journal 016 (2019): 23-35.
  • Steinback, Charles and Stephen Marguiles and David Hunt. Warren Neidich: Camp O.J.. Charlottesville, Virginia: Distributed Art Publishing, Inc. and Bayly Art Museum, 2000.
  • Embracement -
    This unique work was a result of the first ever Australian collaboration between an artist and scientists from the Australian Centre for Field Robotics, leading to the use of a photodynamic screen especially developed to realise the work's
  • Artist: Maria PaschalidouComment:
  • Mari Amman (b. 1984) works globally creating afferent artworks. Images, installations, poetry, performance, sculpture, and artistic research bring forth geological empathy and parietal aspects of perception, sparking inquiry into proposed divides
  • Helen Varley Jamieson and Katherine Wimpenny. "We Have a Situation, Coventry!" - chapter in Virtual Worlds: Concepts, Applications and Future Directions, eds. Liz Falconer and Mari Carmen Gil Ortega. Hauppauge, NY, USA: Nova Publishers, 2018.
  • Animal Accessories -
    " Animal Accessories" * performance concerns 2 artists. Pepi Kelaidi sews with a surgical suture Yiannis Melanitis' cheek, extending the thread through the back of a little bird which has been attached on a plexiglass mask. The procedure
  • DOMINGUES, DIANA MARIA G and M MIRANDA. Affective presence in enactive immersive space: sensorial and mobile technologies reengineering life In Trends, Experiences, and Perspectives on Immersive Multimedia Experience and Augmented Reality, edited
  • Artist: Maria José CrespoComment: