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gravicells - gravity and resistance
2004
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2008
video
As an example which realizing has an abstract result, but its meaning is closely linked with the human body (the physicality of the body because of the gravity rules), is the work of Seiko Mikami, gravicells - gravity and resistance (2004),
Media Bombs
1990
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1990
From a master missile installed in the center of space, 36 Media Bombs drop out. A crystal TV is embedded in each of the bombs, and the monitors broadcast programs of stock information from all over the world. The programs, each broadcast from a
Information Weapons "Super Clean Room"
1990
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1990
This installation took place in a real Super Clean Room at Toyoko Global Environment Laboratory. A "Clean Room" is an artificial air space without any dust or germs...it's air contains nothing: no contaminants. Such rooms are maintained in
Borderless Under the Skin
1992
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1994
This piece is contained inside of a "Biohazrd Tent", or isolation chamber. Inside of the tent are several I.V. drip bags for blood transfusions, delivery of drugs etc. Inside of each I.V. drip bag is a surgical glove which has been fitted with
Eye tracking informatics
2011
video
This interactive installation generates traces of two participants' eye tracking. The participants experience an almost "haptic" kind of communication based on their own visualized eye tracking. In this process, their organic eye trace construct
Gravicells - Gravity and Resistance
2004
Yamaguchi Center for Arts and Media, ed. Gravicells - Gravity and Resistance. Yagamuchi, JP: Yagamuchi Center for Arts and Media, 2004.
Artlab 6: Seiko Mikami: Molecular, Informatics-Morphogenic Substance via Eye Tracking
1996
Mikami, Seiko and Tomohiro Itami. Artlab 6: Seiko Mikami: Molecular, Informatics-Morphogenic Substance via Eye Tracking. Tokyo, Japan: Artlab, 1996.
Artlab 6: Seiko Mikami: Molecular, Informatics-Morphogenic Substance via Eye Tracking
1996
Mikami, Seiko. Artlab 6: Seiko Mikami: Molecular, Informatics-Morphogenic Substance via Eye Tracking. Tokyo, JP: Artlab, 1996.
The Cartography of the Mind’s I
2014
Event: The Cartography of the Mind’s IInstitution: Barbara Seiler GalleryComment:
I am a Sensor
2013
Seit den 90er Jahren haben sich zwischen den Künstler und sein Publikum jede Menge Apparate und Apparaturen geschoben. Kommunikation geschieht geplant, kontrolliert, reduziert, erweitert – kurz: posthuman. Dabei wird in Kauf genommen, dass jedes
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