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Festival Seconde Nature - Aix en Provence (France)
2008
Event: Festival Seconde Nature - Aix en Provence (France)Institution: Ars Electronica Linz GmbH & Co KGComment:
Digital Landfill
1998
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1998
An neverending archive of digital trash. The artist has created an interface, in which the User can copy files from his computer or foreign websites - he can trash them. In a few seconds the files appear in different layers on the monitor. Now you
3 Seconds in the Memory the Internet
2002
3 Seconds in the Memory of the Internet explores the notion of privacy and memory on the Internet. Three arbitrary seconds were selected from three different decades in the Internet's development: one from the 1980s , one from the 1990s and one
Den Himmel muss man sich wegdenken
2014
This film shows a monochrome landscape beneath a strip of sky. At first barely perceptible, a subtle movement is noted throughout the peaked contours of the waves—an organic contraction and expansion of a mountain-like skin. It is with the congealed
Elastic Surgery
1995
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1995
ELASTIC SURGERY is an artwork that allows a participant to perform subtle or gross distortions to his or her own face. While some of the changes may be possible by conventional plastic surgery, most could only be achieved by these electronic means,
Modest_Witness@Second_Millennium: FemaleMan meets OncoMouse: Feminism and Technoscience
1996
Haraway, Donna J.. Modest_Witness@Second_Millennium: FemaleMan meets OncoMouse: Feminism and Technoscience. New York, London: Routledge, 1996.
Specimen of Secrecy about Marvelous Discoveries
2006
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2006
… is a series of works comprised of what Kac calls "biotopes", that is, living pieces that change during the exhibition in response to internal metabolism and environmental conditions. Each of Kac's biotopes is literally a self-sustaining ecology
Specimen of Secrecy about Marvelous Discoveries
2007
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2007
Event: Specimen of Secrecy about Marvelous DiscoveriesInstitution: Fringe ExhibitionsComment:
Give Me Your Secret
2008
This sound installation explores the rapid dissemination of media, highlighting the diminishing boundaries of secrecy and privacy. Through immersive participation, visitors witness how whispered words swiftly propagate, their echoes enveloping the
The Parallel Dimension
1998
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1998
In her VR piece, The Parallel Dimension, Teresa Wennberg based her work concept on a realistic form language combined with highly sophisticated texture maps. There is a clear relation to her earlier works in 2- and 3-dimensional computer animation
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