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Char Davies: Osmose du virtuel au naturel
1995
Le Grande, Jean-Pierre. Char Davies: Osmose du virtuel au naturel Vie des Arts XXXIX, no. 160 (Fall 1995): 27-29.
Women, Art, and Technology
2003
Malloy, Judy. Women, Art, and Technology. Leonardo, Cambridge, MA: MIT Press, 2003.
L´immagine multimediale
2001
Marini, Daniele. L´immagine multimediale. München: Addison-Wesley, 2001.
Tender Technology
1995
Morse, Margaret. Tender Technology In Art As Signal: Inside the Loop, edited by Krannert Art Museum: 1995.
Erzeugte Realitäten II: Stelarc, Orlan, Luis Bec. Der Körper und der Computer
1994
NGBK, ed. Erzeugte Realitäten II: Stelarc, Orlan, Luis Bec. Der Körper und
der Computer. Berlin: Neue Gesellschaft für Bildende Kunst, 1994.
Art of the Electronic Age
1997
Popper, Frank. Art of the Electronic Age. New York: Thames and Hudson, 1997.
Code. X: Genome (Review)
2001
Princenthal, Nancy. Code. X: Genome (Review) Art in America (February 2001).
Treason`s Script: Interactive Narrative Artwork on CDROM
1999
Prophet, Jane. Treason`s Script: Interactive Narrative Artwork on CDROM Performance Research Online 4, no. 2 (Summer 1999).
So What?
2003
Benayoun, Maurice. So What? In Future Cinema, the Cinematic Imaginary after Film, edited by Jeffrey Shaw and Peter Weibel, 572-581. Boston, Massachussets: ZKM/ MIT Press, 2003.
vision.ruhr. Kunst Medien Interaktion auf der Zeche Zollern II/IV Dortmund
2000
Museen der Stadt Dortmund, ed. vision.ruhr. Kunst Medien Interaktion auf der Zeche Zollern II/IV
Dortmund. Ostfildern-Ruit: Hatje Cantz, 2000.
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