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L´immagine multimediale
2001
Marini, Daniele. L´immagine multimediale. München: Addison-Wesley, 2001.
Tender Technology
1995
Morse, Margaret. Tender Technology In Art As Signal: Inside the Loop, edited by Krannert Art Museum: 1995.
Erzeugte Realitäten II: Stelarc, Orlan, Luis Bec. Der Körper und der Computer
1994
NGBK, ed. Erzeugte Realitäten II: Stelarc, Orlan, Luis Bec. Der Körper und
der Computer. Berlin: Neue Gesellschaft für Bildende Kunst, 1994.
Art of the Electronic Age
1997
Popper, Frank. Art of the Electronic Age. New York: Thames and Hudson, 1997.
Code. X: Genome (Review)
2001
Princenthal, Nancy. Code. X: Genome (Review) Art in America (February 2001).
Treason`s Script: Interactive Narrative Artwork on CDROM
1999
Prophet, Jane. Treason`s Script: Interactive Narrative Artwork on CDROM Performance Research Online 4, no. 2 (Summer 1999).
So What?
2003
Benayoun, Maurice. So What? In Future Cinema, the Cinematic Imaginary after Film, edited by Jeffrey Shaw and Peter Weibel, 572-581. Boston, Massachussets: ZKM/ MIT Press, 2003.
vision.ruhr. Kunst Medien Interaktion auf der Zeche Zollern II/IV Dortmund
2000
Museen der Stadt Dortmund, ed. vision.ruhr. Kunst Medien Interaktion auf der Zeche Zollern II/IV
Dortmund. Ostfildern-Ruit: Hatje Cantz, 2000.
Multi Mega Book in the Cave
1997
Fischnaller, Franz. Multi Mega Book in the Cave In MULTIMEDIA GRAND PRIX´97, , 15. Japan: 1997.
Alle Revolutionen sind technische Revolutionen. Vilém Flusser im Gespräch mit Florian Rötzer
1988
Flusser, Vilém. Alle Revolutionen sind technische Revolutionen. Vilém Flusser im
Gespräch mit Florian Rötzer Kunstforum International 97 97 (1988): 120-134.
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