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On Justifying the Hypothetical Nature of Art and the Non-Identicality within the Object World
1992
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1992
Event: On Justifying the Hypothetical Nature of Art and the Non-Identicality within the Object WorldInstitution: Galerie Tanja GrunertComment:
Kwangju Biennale 1995
1995
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1995
Event: Kwangju Biennale 1995Institution: The Gwangju Biennale FoundationComment:
DEAF 00: Machine Times
2000
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2000
Event: DEAF 00: Machine TimesInstitution: V2_Lab for the Unstable MediaComment:
Uriel Orlow
Orlow's work tackles the impossibility of narrating or representing the past and addresses the spatial conditions of history and memory. Spanning locations in Africa, the Arctic, Eastern Europe and Switzerland, his work can often be seen to employ a
Matthew Ostrowski
A New York City native, Matthew Ostrowski is a composer, performer, and installation artist. Using digital tools and formalist techniques to engage with quotidian materials -- sonic, physical, and cultural -- Ostrowski explores the liminal space
Artfuture 2000
2000
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2000
Multimediafestival
28. Duisburger Filmwoche
2004
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2004
Event: 28. Duisburger FilmwocheInstitution: Volkshochschule DuisburgComment:
Stephanie Owens
Owens is an interdisciplinary artist, writer, and curator interested in the influence of digital networks and communication systems on contemporary aesthetics and the production of subjectivity. She is Director of Cornell Council for the Arts and
Jack Ox
Jack Ox is a media artist working on visualisation of music for more than 25 years. She is Professor at The University of New Mexico and Co-director of SARC (Science Art Research Collaboration). She had been in the editorial board of Leonardo since
Bradford W. Paley
W. Bradford Paley uses computers to create visual displays with the goal of making readable, clear, and engaging expressions of complex data. His visual representations are inspired by the calm, richly layered information in natural scenes. His
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