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Mutations- bodily perception, analog and digital dispositives
2019
Poulin, Marie-Claude. Mutations- bodily perception, analog and digital dispositives In 2- Art Research Envelope, edited by Alexander Damianisch and Margarete JahrmannVienna: Universität für angewandte Kunst Wien, 2019.
Seascape
2009
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2009
SEASCAPE consists of a series of gradually unfolding digital seascapes created using imagery captured by webcams installed at five key coastal vantage points between Margate and Portsmouth. Sited at each location for up to a year before the start of
Performance + Internet = Comunicação + Audiencia
2011
Albuquerque, Beatriz. Performance + Internet = Comunicação + Audiencia In Internet y Performance, Negociaciones entre Cuerpo, Virtualidad y Telepresencia, edited by Silvio GarciaBuenos Aires: Ediciones Al Margen, 2011.
Pornéia
2016
Kac, Eduardo. Pornéia. Vinyl record with booklet insert, Milan: Alga Marghen, 2016.
Recaos
1986
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1986
When viewers logged on, the first saw the letter C on the lower right corner of the screen. The letter A appeared above the C, followed by a series of letters O moving upwards. This motion was against the default mode of the videotex medium, which
Art and Marginal Communication
1974
Fischer, Hervé, ed. Art and Marginal Communication. Paris: Balland, 1974.
Marginalia+lab 2009
2009
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Event: Marginalia+lab 2009Institution: Marginalia+labComment:
Marginalia+lab 2010
2010
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Event: Marginalia+lab 2010Institution: Marginalia+labComment:
Marginalia+lab 2011
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Event: Marginalia+lab 2011Institution: Marginalia+labComment:
Marginalia+lab 2012
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Event: Marginalia+lab 2012Institution: Marginalia+labComment:
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