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  • Virtuelle Räume der Kommunikation
    Strauss, Wolfgang and Monika Fleischmann. Virtuelle Räume der Kommunikation In Multimediale Stadt. Entwicklungen, Trends, Visionen auf dem Weg ins nächste Jahrhundert. SFZ-WerkstattBericht 6, edited by Ingrid Stoppa-SehlbachGelsenkirchen, DE:
  • Die Sehmaschine
    Virilio, Paul. Die Sehmaschine. Berlin, DE: Merve, 1989.
  • Dreams Grrrls -
    "Dream Grrrls is a real-time interactive CAVETM virtual art environment created by M. Dolinsky and Grit Sehmisch. Dream Grrrls invites you to explore dreaming in a labyrinth. Discover paths that lead to whimsical worlds - where you can ride a
  • time to back up!
    "Time to back-up?" stellt den sehr reduzierten zweiten Teil der Biennale-Arbeit "IO_lavoro immateriale" von Knowbotic Research dar, die aus zwei in eine graue Wand eingebauten Lautsprecherpaaren und einem CD-Brenner besteht. Man hört die von
  • Garden Of Changes – VR Experience as Meditative Divination Device
    Reinhuber, Elke and Benjamin Seide. Garden Of Changes – VR Experience as Meditative Divination Device .
  • Yunnan Garden VR – Re-creation of a Tropical Garden as Virtual Cultural Heritage
    Reinhuber, Elke and Benjamin Seide and Ross Williams. Yunnan Garden VR – Re-creation of a Tropical Garden as Virtual Cultural Heritage Kultur und Informatik – Extended Reality (2020): 25-37.
  • Paradoxes of Interactivity.
    Seifert, Uwe and JinHyun Kim, ed. Paradoxes of Interactivity.. ISBN 978-3-89942-842-1, Bielefeld: transcript Verlag, 2008.
  • Ursula Damm. Zeitraum (51 13.66 Nord, 6 46.523 Ost)
    Seiffert, Philipp and Ursula Damm, ed. Ursula Damm. Zeitraum (51 13.66 Nord, 6 46.523 Ost). Düsseldorf: K20K21 Kunstsammlung Nordrhein-Westfalen, 2005.
  • Multimedia Graphics: The best of Global Hyperdesign
    Velthoven, Willem and Jorinde Seijdel, ed. Multimedia Graphics: The best of Global Hyperdesign. San Francisco, CA: Chronicle Books, 1996.
  • Molecular Clinic 1.0 -
    Molecular Clinic 1.0 is an art project realized through a collaboration between Seiko Mikami and ARTLAB. The "installation" is unique in that it only resides in the World Wide Web and has no material presence at all. To participate in this
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