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Recombinant Poetics: Emergent Meaning as Examined and Explored Within a Specific Generative Virtual Environment 2010

Seaman, Bill. Recombinant Poetics: Emergent Meaning as Examined and Explored Within a Specific Generative Virtual Environment. Dr. Muller: VDM Verlag, 2010.
(Re)Thinking - the body, generative tools and computational articulation, 2010

Seaman, Bill. (Re)Thinking - the body, generative tools and computational articulation, Technoetic Arts: A Journal Of Speculative Research 7, no. 3 (2010).
Neosentience and the Abstraction of Abstraction 2013

Seaman, Bill. Neosentience and the Abstraction of Abstraction Systems Connecting Matter, Life, Culture and Technology 1, no. 1 (2013).
Four Transcultural Case Studies: Transmedial Walks, Drives and Observations 2013

Seaman, Bill. Four Transcultural Case Studies: Transmedial Walks, Drives and Observations Technoetic Arts 10 (March 2013): 2-3.
A multi-perspective approach to knowledge production 2014

Seaman, Bill. A multi-perspective approach to knowledge production Kybernetes 43 (October 2014): 1412 - 1424.
Towards A Dynamic Heterarchical Ecology Of Conversations 2018

Seaman, Bill. Towards A Dynamic Heterarchical Ecology Of Conversations Cybernetics and Human Knowing: A Journal of Second Order Cybernetics, Autopoiesis and Cyber Semiotics (2018).
Roy Ascott – Early Interactive Work and Some Cybernetic Relationalities 2018

Bill Seaman. Roy Ascott – Early Interactive Work and Some Cybernetic Relationalities Cybernetics and Human Knowing: A Journal of Second Order Cybernetics, Autopoiesis and Cyber Semiotics (2018).
Neosentience | The Benevolence Engine 2011

Bill Seaman and O. E. Rössler. Neosentience | The Benevolence Engine. Bristol, United Kingdom: Intellect Press, 2011.
egaku 2002 - 2003

egaku is a tabletop user interface designed to enhance the ideation process with seamless image management tools. Designers sketch ideas as the system captures high-resolution images of the sketches and organizes them in a transparent image
Matrix XII Krems 2019 video

“Matrix XII Krems” connects the new State Gallery of Lower Austria and the Kunsthalle Krems in a vast space below ground. The individual lights are arranged in a strict square grid on a slanted plane and delineate the border between emptiness and

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