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COMBATscience Augmented 2018 - 2018 video

Mixed reality installation 'COMBATscience Augmented' reimagines the 2008 multimedia environment 'COMBATscience', realised in cooperation with Cathrin Pichler in the Volkstheater in Vienna, and transforms it into another sensory setting. The life
Ren Fah

Ren Fah - is a media-artist and researcher working in the field of Cultural Studies/ Critical Theory and Analysis. He received his PhD. in 2011 from the University of Applied Arts, Vienna. Within the frame of his PhD. project he conducted research
Extended Performance – Virtuelle Bühne, Selbstrepräsentanz und Interaktion. Extended Performance – Virtuelle Bühne, Selbstrepräsentanz und Interaktion. 2000

Fleischmann, Monika and Wolfgang Strauss. Extended Performance – Virtuelle Bühne, Selbstrepräsentanz und Interaktion. Extended Performance – Virtuelle Bühne, Selbstrepräsentanz und Interaktion. Kaleidoskopien, Theatralität, Performance, Medialität.
Murmuring Fields Theatre Version 1999

1999 Fidena, Bochum: Liquid Views , MARS-Field, Murmuring Fields
Virtual World 1995

Cashill, Robert. Virtual World Theatre Crafts International TCI 29, no. 2 (February 1995): 44.
Computers as Theatre 1991

Laurel, Brenda. Computers as Theatre. Amsterdam, NL: Addison-Wesely Longman, 1991.
Virtual Reality and the Theatre: Immersion in Virtual Worlds 1999

Reaney, Mark. Virtual Reality and the Theatre: Immersion in Virtual Worlds Digital Creativity 10, no. 3 (1999): 183-188.
Theatre of Restless Automata review on boredomresearchs' solo exhibition at Peterborough Digital Arts 2006

Boredomresearch. Theatre of Restless Automata review on boredomresearchs' solo exhibition at Peterborough Digital Arts furtherfield.org website (2006).
Digital Performance: A History of New Media in Theatre, Dance, Performance Art and Installation 2007

Dixon, Steve. Digital Performance: A History of New Media in Theatre, Dance, Performance Art and Installation. Leonardo Books, Cambridge, MA: MIT Press, 2007.
Nalini Malani

Malani's work is influenced by her experiences as a refugee of the Partition of India. She places inherited iconographies and cherished cultural stereotypes under pressure. Her point of view is unwaveringly urban and internationalist, and unsparing

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