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Basanta, Adam. Potentialities of Meaning: a performance study perspective investigation into the relationship between the composer, composition and audience in contemporary fixed medium sound art inter/tidal ii: SFU Humanities Student Union Academic

Salter, Chris. Environments, Interactions and Beings: The Ecology of Performativity and Technics In Interfaces of Performance, edited by Maria Chatzichristodolou and Rachel Zerihan and Jannis JeffriesLondon: Ashgate, 2009.

Salter, Chris and Marije Baalman and Daniel Moody-Grigsby. Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance In Proceedings for the 2007 International Computer Music Conference (ICMC), edited by

Salter, Chris and Marije Baalman and Daniel Moody-Grigsby. Schwelle: Sensor Augmented, Adaptive Sound Design for Live Theatrical Performance In Proceedings for the 7th Annual Conference in New Interfaces for Musical Expression (NIME 2007), edited

Dreher, Thomas. Performance Art nach '45: Aktionstheater und Intermedia. Munich: Wilhelm Fink Verlag, 2001.

Garavaglia, J. and C. Robles. WOODEN WORLDS – Aesthetical and Technical aspects of a Multimedia Performance using Real-time Interaction. proceedidings ISEA , no. 2011 (2011).

Moes, Fabiana. Performance and Interactivity: dynamics author/reader in Electronic Literature Performance e interatividade: dinâmica autor/leitor na Literatura Eletrônica Revista Encontro de Vistas (2011).

Buonaiuto, Francesco and Helen Varley Jamieson and Vicki Smith. The Net and the Butterfly, by Francesco , Helen Varley Jamieson and Vicki Smith; International Journal of Performance Arts and Digital Media 10, no. 1 (2014).

Garavaglia, J. and C. Robles. WOODEN WORLDS – Aesthetical and Technical aspects of a Multimedia Performance using Real-time Interaction. proceedidings ISEA , no. 2011 (2011).

Garavaglia, J. and C. Robles. WOODEN WORLDS - An Audiovisual Performance with Multimedia Interaction in Real-time Interactive Media Art Conference (IMAC) 2011 Proceedings, edited by Morten Søndergaard, Aalborg University Press, 2012 (2012): 54-59.