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  • Prometheus Bound in: Innovation in Australian Arts, Media and Design: Fresh Challenges for the Tertiary Sector
    Helyer, Nigel. Prometheus Bound in: Innovation in Australian Arts, Media and Design: Fresh Challenges for the Tertiary Sector. Germany: Wissler, Rod, Haseman, Brad, Wallace, Sue-Anne, Keane, Michael, 2004.
  • Inner Telescope -
    ... art exhibitions, art and literary publications, and free public programs that together...
  • Arte e Vida no Século XXI: Tecnologia, ciência e criatividade
    Domingues, Diana. Arte e Vida no Século XXI: Tecnologia, ciência e criatividade. São Paulo, BR: Editora UNESP, 2003.
  • PULSAÇÃO OU ONDA OU VERMELHO, NÃO VERDE -
    Galeria do Século XXI
  • (W)orld Currency -
    ... preserving autonomy and diversification within universal acceptance. The artwork...
  • Face Value -
    Dead Presidents, deceased dictators, passed poets and reigning sovereigns – they watch us daily, as we swap goods for labor-power, as we sell commodities and buy resources, as we hawk dues and invest in securities, as we barter mining rights for
  • Naked Bandit
    Knowbotic Research investigates in the context of the "war of terror" legal frameworks which inscribe and determine in mostly invisible layers our public fields of action. KR directs the attention away from the dominant layer of represen-tation
  • Euopean Media Art Festival 1990
    To mark the start of the new decade, the European Media Art Festival presented a review of German experimental film and video art production from the 1980s, offering viewers the opportunity to see familiar works again and to perhaps rediscover and
  • Lembrem a phantasmagoria! Politica da ilusao do seculo XVIII e sua vida apos a morte multimedia
    Grau, Oliver. Lembrem a phantasmagoria! Politica da ilusao do seculo XVIII e sua vida apos a morte multimedia In Arte, Ciencia e Tecnologia, edited by Diana Domingues, 239 - 260. Sao Paulo, Brazil: Editora UNESP, 2009.
  • ADA - Anarquitetura do Afeto (Anarchitecture of Affection) -
    ADA consists in a device that captures sounds and images from every day activities of Itaú Cultural Center processes this data and give it back to the street. The most visible interface of ADA is a conic white construction that is integrated in the
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