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Heath Bunting: Identity Bureau. Against Residual Self-Image 2012

Hirsenfelder, Ida. Heath Bunting: Identity Bureau. Against Residual Self-Image http://www.digicult.it/digimag/issue-072/heath-bunting-identity-bureau-against-residual-self-image/ [05.07.2017].
"We collaborate [t]here: processes of networked collaboration" - chapter in "Intersecting Art and Technology in Practice", eds. Camille Baker & Kate Sicchio. 2017

Jamieson, Helen Varley. "We collaborate [t]here: processes of networked collaboration" - chapter in "Intersecting Art and Technology in Practice", eds. Camille Baker & Kate Sicchio.. Advances in Art and Visual Studies, New York: Routledge, 2017.
Reverse Authentification 2002

Schneider, Florian. Reverse Authentification http://www2.tate.org.uk/intermediaart/entry15468.shtm [05.07.2017].
Reverse Authentification 2002

Schneider, Florian. Reverse Authentification http://www2.tate.org.uk/intermediaart/entry15468.shtm [05.07.2017].
Reverse Authentification 2002

Schneider, Florian. Reverse Authentification http://www2.tate.org.uk/intermediaart/entry15468.shtm [05.07.2017].
Interview with Heath Bunting 1997

Bosma, Josephine. Interview with Heath Bunting https://www.heise.de/tp/features/Interview-with-Heath-Bunting-3446062.html [05.07.2017].
On Location 2017

Parker, Kayla. On Location Screenworks 7, no. 3 (December 2017).
On Location: landscape cinema and digital memory 2017

Parker, Kayla and Stuart Moore. On Location: landscape cinema and digital memory AVANCA | CINEMA 2017 (July 2017): 251-255.
Noor: A Brain Opera 2017

Pearlman,Ellen. Noor: A Brain Opera Worlding the Brain Symposium (November 2017).
Brain Opera – Exploring Surveillance in 360-degree Immersive Theatre 2017

Pearlman, Ellen. Brain Opera – Exploring Surveillance in 360-degree Immersive Theatre PAJ (Performance Arts Journal), MIT Press (May 2017).

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