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  • Have a Nice Day II
    The PHSCologram is a homage to 'Have a Nice Day' produced in 2002 by Ellen Sandor in collaboration with Martyl Langsdorf’ the author of Doomsday Clock, originally designed for the cover of the Bulletin of the Atomic Scientists magazine in 1947. The
  • Have a Nice Day
    The scenery referring to Martyl Langsdorf’s painting "Doomsday Clock Have a nice day" is contrasted with Martyl’s Doomsday Clock which she originally designed for the cover of the Bulletin of the Atomic Scientists magazine in 1947. The “Bulletin”,
  • CircuiTUI -
    Bridging the gap between textbook and laboratory learning, CircuiTUI leverages the power of both advanced real-time circuit simulation and the hands-on and the collaborative atmosphere of a laboratory. With CircuiTUI, projected images of circuit
  • Blow up video
    Blow Up records, amplifies, and projects human breath into a room-sized field of wind. The installation comprises two devices. The first is a rectangular array of twelve small impellers, which stands on a table on one side of the gallery. This small
  • Victor Acevedo
    Victor Acevedo is an artist best known for his digital work involving printmaking and video. Since 2007 his primary focus has been working with video and producing (electronic) visual music works. As an ongoing practice, Acevedo issues images as
  • Ellen Sandor
    Ellen Sandor is a new media artist, and Founder/Director of the collaborative artists’ group, (art)n. In 1975, she received an MFA in Sculpture from the School of the Art Institute of Chicago. Her MFA studies at SAIC led her to explore the
  • Featured Artist Victor Acevedo
    ... Acevedo’s visual music explores the implications of synesthesia through computer animated geometry.
  • RGB VW -
    This work was conceived in relation to a particular location, a disused automobile factory in Karlsruhe. Such a space is clearly significative of industrial culture. But we are now shifting towards a more immaterial fascination - the media
  • SWAMP
    SWAMP (Studies of Work Atmosphere and Mass Production) focuses on critical themes addressing the effects of global corporate operations, mass media and communication, military-industrial complexes, and general meditations on the liminal area between
  • Maschinensehen (Machine-Vision) -
    Through video essays and photography, the exhibition MASCHINENSEHEN [MACHINEVISION] documents the practice of picture production: its devices and technologies, the laboratories, as well as the sites where the new processes are applied. In addition,
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