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  • Taylor, Brandon. Collage: The Making of Modern Art. London: Thames & Hudson, 2004.
  • Giannachi, Gabriella. Virtual theatres. An Introduction. London/New York: Routledge, 2004.
  • Kera Denisa. Post-Apocalyptic Citizenship and Humanitarian Hardware In Nuclear Disaster at Fukushima Daiichi, edited by Richard HindmarshRoutledge Studies in Science, Technology and Society, , 222. London, Great Britain: Routledge, 2013.
  • Erickson, Christa. Networked interventions: debugging the electronic frontier In Embodied utopias: gender, social change and the modern metropolis, edited by Amy Bingaman and Lise Sanders and Rebecca Zorach, 225-241. London: Routledge, 2002.
  • Uršula Berlot, Kaleidoscopic Gaze, 2010 video projection onto an image on a mirror (video loop 6′); two mirrors (90 x 180 cm; 90 x 110 cm), foil covering, projection and reflected light Site specific video installation; variable dimensions Uršula
  • Figment
    Figment offers an experience of the digital sublime, which overlaps with our perception of the digital, landscape, our relationship with each, and the fundamental questions that follow, peering into the nature of our existence. In Figment, rendered
  • George Legrady and Abigail Solomon-Godeau. Refraction George Legrady https://www.mat.ucsb.edu/~g.legrady/glWeb/Projects/re/refraction.html.
  • George Legrady and Abigail Solomon-Godeau. Refraction George Legrady https://www.mat.ucsb.edu/~g.legrady/glWeb/Projects/re/refraction.html.
  • RADIANCE. She Who Sees The Unknown: Kabous, The Right Witness, and The Left Witness https://www.radiancevr.co/artists/morehshin-allahyari/.
  • e-waste -
    The first "We have a Situation!" workshop series exploring the problem of e-waste and the creative potential of digital and online technologies took place in London between 19-22 March 2013 with the networked performative event on Saturday 23 March