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Truth in media art through sensory-motor coordination: Scenography 2:Space and Truth, Zurich University of the Arts
2008
Dartel, van Michael. Truth in media art through sensory-motor coordination: Scenography 2: Space and Truth, Zurich University of the Arts In Scenography 2, edited by Thea Brejzek and Laurence WallenVol.2. Scenography HGKZ, , 22-34. Zurich: Zurich
2015 Selfiecity London
2015
Interactive web app for exploring a dataset of 3200 Instagram selfie photos shared in 5 global cities, and separate visualizations of these photos created with custom software. Source: Lev Manovich
Shirley Shor
Part of an emerging generation of new media artists, Shirley Shor employs technological processes in the service of larger issues related to human experience and fine art. Shor creates real-time computer generated installations, and environments
Sommerer, Christa, Mignonneau, Laurent, Lecture at Itau, Net Culture Space, Museumsquartier 21, sponsored by Ars Electronica and Telekom Austria, Vienna (Austria), 18.03.2008
2008
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2008
Event: Sommerer, Christa, Mignonneau, Laurent, Lecture at Itau, Net Culture Space, Museumsquartier 21, sponsored by Ars Electronica and Telekom Austria, Vienna (Austria), 18.03.2008Institution: Museumsquartier Q21Comment:
Sommerer, Christa, Lecture at 'A Wedge Between Private and Public' - Symposium on Interactivity and Public Space, Gerrit Rietveld Academie, Amsterdam (Netherlands), 22.04.2010
2010
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2010
Event: Sommerer, Christa, Lecture at 'A Wedge Between Private and Public' - Symposium on Interactivity and Public Space, Gerrit Rietveld Academie, Amsterdam (Netherlands), 22.04.2010Institution: Gerrit Rietveld Academie (GRA)Comment:
"Public Space of Knowledge: Artistic Practice in Aesthetic Computing." In Aesthetic Computing, edited by Paul Fishwick, MIT Press, Cambridge, 2006. Leonardo Review of Aesthetic Computing 2007
2006
Fleischmann, Monika and Wolfgang Strauss. "Public Space of Knowledge: Artistic Practice in Aesthetic Computing." In Aesthetic Computing, edited by Paul Fishwick, MIT Press, Cambridge, 2006. Leonardo Review of Aesthetic Computing 2007 In Aesthetic
Perceptive Dislocations
2012
"Perceptive Dislocations" was a performative event at the Goethe-Institute Island in Second Life. Cyberspace: The Final Frontier. Since 1994 with the advent of the World Wide Web, online virtual 3D worlds promised us endless freedom to be and do
Dislocative Sculpture
2011
video
In "Dislocative Sculptures," Goethe-Institut Second Life Artist in Residence Tamiko Thiel and the United|Dislokations|Kartell (U|D|K) used the unique physics of building in Second Life to create a sculpture that could exist nowhere else. Cyberspace:
I N S N (H) A K (R) E S
2003
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2007
The site provides a collaborative network action allowing telepresence and telerobotics. The robot is an agent that inhabits and acts in the physical world. Connecting the website address: http://artecno.ucs.br/insnakes makes it possible for the
[In code]
2012
video
The audience is elevated and observes the stage from a low angle, as in an anatomical theater where humans are enveloped by a swarm of inorganic beings. Graphical entities with their own behavioral code. A show for two dancers and digital particles,
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