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Alexandra Ehrlich Speiser
Manifesting randomness Alexandra Ehrlich-Speiser creates manifestations of the random. Using arbitrary decisions and consciously brought about glitches in machines and digital systems she creates poetic experiences that recontextualize the
Das Institut für Neue Medien
1993
Weibel, Peter. Das Institut für Neue Medien In Erlkönigs Erben, Perspektiven der Medienkunst, edited by Sabine Voggenreiter, 75-81. Köln, DE: 235 Media, 1993.
Humanist der Telecommunication
1994
Perthold, Sabine. Humanist der Telecommunication Bühne (June 6th 1994).
Curating Media/Net/Art: Circulating Contexts
2007
Hochrieser, Sabine and Franz Thalmair and Cont3xt.Net and Michael Kargl, ed. Curating Media/Net/Art: Circulating Contexts. Norderstedt: Books on Demand, 2007.
Isabelle Jenniches
Isabelle Jenniches (1971) received her Master's degree in Theater and Film Design from the Academy of Applied Art in Vienna, Austria, and a postgraduate degree in Digital Media and Fine Arts from Media-GN in Groningen, the Netherlands. After her
Bernd Lintermann
Bernd Lintermann works as artist and scientist in the field of real time computer graphics with a strong focus on interactive and generative systems. The results of his research are applied in the scientific, creative and commercial context. His
Stenslie Stahl
Stenslie Stahl is working on the development of different interface technologies and tools for the digital culture within the fields of art, media and network-research. Lives and works as media artist, curator, scientist and media researcher in Oslo
be prepared! tiger!
2010
Schmidt, Sabine Maria. be prepared! tiger! Article Artist´s Homepage.
Thinkering with Media: On the Art of Paul DeMarinis
2010
Huhtamo, Erkki. Thinkering with Media: On the Art of Paul DeMarinis In Paul DeMarinis: Buried in Noise, edited by Ingrid Beirer and Sabine Himmelsbach and Carsten Seiffairth, 33-46. Heidelberg/Berlin: Kehrer, 2010.
Ken E. Rinaldo
Ken Rinaldo is internationally recognized for interactive art installations developing hybrid ecologies with animals, algorithms, plants, and bacterial cultures. His art/science practice serves as a platform for hacking complex social, biological,
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