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  • IJWBAA
    IJWBAA [eej-wah] (I Just Wannabe an Artist), also known as Paul "Pao" Hafalla, is a pioneering digital artist born in Manila, Philippines, with deep roots in Pangasinan. His innovative work seamlessly blends digital media with a profoundly
  • Performance + Internet = Comunicação + Audiencia
    Albuquerque, Beatriz. Performance + Internet = Comunicação + Audiencia In Internet y Performance, Negociaciones entre Cuerpo, Virtualidad y Telepresencia, edited by Silvio GarciaBuenos Aires: Ediciones Al Margen, 2011.
  • Sonic Antarctica
    „Sonic Antarctica“ features natural and industrial field recordings, sonifications and audifications of science data and interviews with weather and climate scientists. The areas recorded include: the „Dry Valleys“ (77°30’S 163°00’E) on the shore of
  • Tweak Exhibition
    Digital technology has become a medium that has redefined the arts broadening horizons and changing practices. The works in this exhibition explore interactivity and the possibilities opened up by multimedia and electronic technologies to create
  • UpStage's 20th Birthday -
    On 9 January 2024 we celebrate 20 years of UpStage! UpStage has playfully persisted for two decades of cyberformance adventures. Since its launch on 9 January 2004, UpStage has provided an accessible, artist-led online venue for collaboration,
  • Telematic Encounter -
    Two dispersed installations are connected via an ISDN teleconferencing link, enabling audio and video communication between the two sites. The first installation (location 1), the main gallery installation consists of a table and chair on a carpet
  • Media Facades -
    MYTHS AND POTENTIALS OF MEDIA ARCHITECTURE AND URBAN SCREENS Initiated by Mirjam Struppek & Susa Pop, Public Art Lab in cooperation with Media Architecture Group Vienna and the German Center for Architecture (DAZ) Urban Screenings: 16th Oct -
  • Points of View II - Babel
    Points of View II - Babel addressed issues relating to the Falklands War. It was made using the same functional and iconographic structures as Points of View I, but with a differing content.In BABEL hieroglyphs were used to articulate a
  • Extimidad. Arte, Intimidad y Tecnología. / Extimacy. Art, intimacy and technology -
    Inside the immense flow of data exchange, the new technologies have facilitated an interdependency between the spheres of what is private and what is public, between interior and exterior, leading us to reveal, in an increasingly natural manner, our
  • reconstructed Points of View
    Faced with the occasion to show Points of View 16 years after its creation, it became clear that the restitution of the original hardware and software would be much more difficult than simply reconstructing and reprogramming the complete work on a
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