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Medi@terra 2001: De-globalizing / Re-globalizing
2001
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2001
Medi@terra 01 was a travelling Festival. Its "historic journey" started from Lavrion and ended in Frankfurt (at the International Book Fair) having crossed the Balkans, and having met the artists, scientists, state agencies, universities,
Digital Nights Singapore 2010
2010
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2010
Digital Nights Singapore 2010 17 - 26 September An interactive new media and digital arts fest during the SGP Season featuring LAb[au]'s installations: frameworks f5x5x2 binary waves, cybernetic urban installation at: SAM _ Singapore Art
2016 Hong Kong and Macao Visual Arts Biennial
2016
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2016
01 / 09 / 2016 - 10 / 09 / 2016, Beijing Minsheng Art Museum 20 / 09 / 2016 - 08 / 10 / 2016, Dunhuang for The Silk Road Dunhuang International Culture Expo 18 / 10 / 2016 - 29 / 10 / 2016, Henan Art Museum Presented by the Ministry of Culture of
Artists' Conquest. Margret Eicher, Luzia Simons, Rebecca Stevenson, Myriam Thyes.
2021
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2021
‘Artists’ Conquest’ is the first in a new exhibition series organised by the Staatliche Kunstsammlungen Dresden (Dresden State Art Collections) and the Staatliche Schlösser, Burgen und Gärten Sachsen (State Palaces, Castles and Gardens of Saxony).
Interactive Plant Growing
1992
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1997
video
"Interactive Plant Growing" is an installation, which deals with the principle of the growth of virtual plant organisms and their change and modification in real time in the 3-dimensional virtual space of a 4D Graphics Computer (Silicon Graphics).
Turbulence, Interactive Museum of Unnatural History
1994
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1995
What would life be like if it were made from computer algorithms rather than flesh and blood? Artificial Life is the name given to the simulation of natural forms and processes using materials other than those found in nature. It is not so much a
Cyber Squeeks
1990
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1995
The Cyber-Squeek series spoofs the emergence of machine intelligence, in which electronics integrated with life-like forms, have begun to squeak their first words; in their language. Through multiple sensors and switches they respond to human touch
Specimen of Secrecy about Marvelous Discoveries
2006
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2006
… is a series of works comprised of what Kac calls "biotopes", that is, living pieces that change during the exhibition in response to internal metabolism and environmental conditions. Each of Kac's biotopes is literally a self-sustaining ecology
Donna Holford-Lovell
Currently Director of NEoN Digital Arts. NEoN Digital Arts (SCIO) aims to advance the understanding and accessibility of digital and technology-driven art forms and to encourage high quality within the production of this medium. NEoN has organised
Codes and algorithms.
2022
Can algorithms ensure greater neutrality and efficiency? Are they as free from human bias as we usually think? The exhibition ‘Codes and algorithms. Wisdom in a calculated world’ seeks to make sense of this phenomenon and it’s implications. n recent
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