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Virual Realities: Cybernetic Art in the Museum of the Future
1992
...Birringer,
Johan
nes. Virual Realities: Cybernetic Art in the Museum of the Future Tema Celeste , no. 36 (1992): 64-69.
Image Science & MediaArtHistories: New Infrastructures for 21st Century Digital Humanities
2011
... towards Complexity, edited by Günther Friesinger and
Johan
nes Grenzfurthner and Thomas Ballhausen, 29-37. Bielefeld:...
What's next? Kunst nach der Krise
2013
...Hedinger,
Johan
nes and Thorsten Meyer, ed. What's next? Kunst nach der Krise. Berlin: Kulturverlag Kadmos, 2013.
Net_Condition
1999
-
2000
...el (Curator), Walter van der Cruijsen (Curator), Golo Föllmer (Curator),
Johan
nes Goebel (Curator), Hans-Peter Schwarz (Curator), Benjamin Weil...
Mignonneau, Laurent, Sommerer, Christa, "Interface Culture: Interface Gestaltungen zwischen Kunst, Forschung und Anwendung", Lecture at Mensch und Computer 2005, Kepleruniversität Linz (Austria), 04.09.2005
2005
-
2005
... Kepleruniversität Linz (Austria), 04.09.2005 Institution:
Johan
nes Kepler Universität Linz - JKUComment:
Mignonneau, Laurent, Sommerer, Christa, "Interface Cultures: Interface Gestaltungen zwischen Kunst, Forschung und Anwendung", Lecture at O.OE. Wissenschaftskonferenz, Kepleruniversität Linz (Austria), 20.11.2006
2006
-
2006
... Kepleruniversität Linz (Austria), 20.11.2006Institution:
Johan
nes Kepler Universität Linz - JKUComment:
HeartScapes and Terrarium
2005
...DOMINGUES, DIANA MARIA G and Günther
Johan
nes Lewckuk GERHARDT. HeartScapes and Terrarium Art Et Biotechnologies , no. 5 (2005).
ADA_KONDITION_PLURIEL_FEATURE_270224.pdf
... a laser-scanned topographic 3D model ofKepler’s Garden at the
Johan
nes Kepler University in Linz, in which sound has the capacityto...
site-inflexion
2020
... of the JKU campus are the main actors in the work, alluding to
Johan
nes Kepler’s activity as a landscape mathematician. A...
site-inflexion
2020
... of the JKU campus are the main actors in the work, alluding to
Johan
nes Kepler’s activity as a landscape mathematician. A...
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