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Siegfried Zielinski: Genealogías, visión, escucha y comunicación
2007
... visión, escucha y comunicación. 1st th ed.Bogotá, Colombia:
Universidad
de Los Andes : Goethe Institut Bogotá, 2007.
Creative Technologies and Disruptive Innovation for Reengineering Future: From Humanization to Naturalization of Technologies trough Enactive Affective Systems
2018
-
2018
SAM+
'Percepciones ideológicas sobre el fenómeno TICs 2.0'
2015
...Bernardo Villar. 'Percepciones ideológicas sobre el fenómeno TICs 2.0'
Universidad
Salamanca (2015).
Sonar. Navigation // Location of Sound in the Artistic Practices in the 20th Century
2018
... Artistic Practices in the 20th Century. Documentos DAH, Mexico:
Universidad
Autónoma Metropolitana/Juan Pablos Editor, 2018.
Surface Tension
1992
-
1993
... The installation was originally developed in 1992 at the
Universidad
Complutense de Madrid as a stage module for a theatre work...
Private Views - the Role of the Viewer in Networked Digital Models of Narration
2000
... by Jorge La Ferla, 186-192. Buenos Aires: Libros Del Rojas,
Universidad
Buenos Aires, 2000.
Ser Digital; Manual para náufragos de la cultura electrónica.
2009
... electrónica.. Santiago de Chile (Chili): Ediciones de la
Universidad
de Chile., 2009.
Hipercubo/ok : arte, ciencia y tecnología en contextos próximos
2002
... : arte, ciencia y tecnología en contextos próximos. Bogotá:
Universidad
de los Andes : Goethe Institut Bogotá, 2002.
Metáforas visuales de la ciudad digital actual, dos décadas después
2015
... Col. Estudios #145, 157-190. Cuenca, Spain: Ediciones de la
Universidad
de Castilla-La Mancha, 2015.
"Flujos comunicativos cotidianos como experiencia artística. Fotografía digital y redes 2.0"
2014
... / Memory Card. Ensayos sobre fotografía contemporánea'. Bogotá:
Universidad
Jorge Tadeo Lozano de Bogotá, 2014.
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