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Disillusion of a Fish Pond was one of three performances during the exhibition This is no Thing - This is a Situation of Opportunity at the Kingly Street Gallery in London. In this work a naked woman swathed in bandages of cotton-wool was sitting at

The Corpocinema ('corporeal cinema') was an expanded cinema environment presented in a series of open-air performances in Rotterdam and Amsterdam in 1967. The basic structure was a large air-inflated transparent PVC dome onto which film

In the Alpevent white polythene tubing was slowly inflated inside a somewhat confined space. The people there dragged and wove the tubing around their bodies, but expanding plastic gradually pushed many of them out of the room. A further performance

A large cloud-shaped and air-inflated structure was suspended from the roof of the Stedelijk Museum. During the night an image of a daytime sky and clouds was projected onto it, accompanied by clouds of artificial smoke and the amplified sounds of

A monumental sculpture proposed for the Schouwburgplein in Rotterdam and constituted by massive letters forming the words NO THING.

Three inflatable pavilions, each having a specific function, were specially commissioned for Sonsbeek buiten de perken. Besides the Information Pavilion, an air supported semi-sphere covered with sythetic grass, and the Video Studio, a tensile

Inflatable replica of an exhibited sculpture by Ronald Bladen - this one the visitors could play with.

An installation in two rooms. One was filled with an inflatable structure that was slightly smaller than the room - visitors had to squeeze between it and the walls. In the other room the structure was larger than the room and so covered all its

The Diadrama was an audio-visual performance with over 2000 slides being projected onto a large wide screen by three pairs of synchronised slide projectors. The main themes explored in this work were panoramic methods of representation, the collage

This work created a collage of fictional events within a museum space by making projected images of the events appear contiguous with the real space and actual situations. The work was constituted by two structural elements: a large projection