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  • ...Barry, Nora. Digital Shanachies In Ars Electronica 2001, edited by Gerfried Stocker and Christine Schöpf, 102-106. New York, Wien: Springer, 2001.
  • ...Event: Digitization and cultural heritage institutionsInstitution: Stockholm UniversityComment:
  • ... she has spent most of her working life in artist-run centers: 15 years at the Fylkingen for New Music & Intermedia Art in Stockholm and 10 years at VIVO Media Arts Center in Vancouver.
  • ... Emperors, Relational Architecture 2 In Ars Electronica 1997: Fleshfactor / Informationsmaschine Mensch, edited by Gerfried Stocker and Christine SchöpfLinz: 1997.
  • Dreamgenerator -
    ... 3D generating ) reacts and transform according to events (sound, motion , light) within the building at Lärarhögskolan in Stockholm. The result is a real-time generated 3D world/model that transforms these events to a hallucinative dream world....
  • ... Lynn, Dinisio Gonzàles, Antony Gormley, Hussein Chalayan, Ryan McGinnes, Julie Mehretu, Julius Popp, Matthew Ritchie, Esther Stocker, Chris Woebkin curated by Aaron Betsky Pioneers of Change, as part of NY400, in and around eleven Officer houses at Nolan...
  • ... Emotions series of works, E-SCAPE TODAY! proposes to play with this ambiguity between human and economic values: emotions vs stock. Is there a direct relation between the financial stock growth and the evolution of the emotional state of real people? Economy...
  • Elusive Self -
    ... filmed segments plus humming voices of two Masaai warriors. The installation "Elusive Self" was shown at The Culture House, Stockholm 2002, at Museo de Arte Contemporaneo, Santiago de Chile 200, Husby Konsthall Stockholm 2017.
  • ... première acquisition du fonds FAME de soutien à la création Emotion Forecast est bâtit sur le modèle des systèmes prédictifs du stock market. Que se passerait-il si l’économie et les échanges étaient fondés sur l’état émotionnel de la planète. Ne faudrait-il pas...
  • ... Mechanics of Emotions series, this new work is a poetical representation of the ‘human factor’, comparing human affects with stock market data, forming part of the artist’s running critique on preeminent forms of data quantification. In this interactive work,...