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  • ...Face to Facebook texts from www.face ‐ to ‐ facebook.net by Paolo Cirio and Alessandro Ludovico. 2011 Logline: Stealing 1 million Facebook...
  • Magic Forest. 2002. Was made for the exhibition Head On in 2002, a show at the Science Museum on neurology and the brain. The work was produced in collaboration with Wellcome Foundation. The final work is a dream-like journey through a sea of
  • ... in several nations. Thanks for your attention. http://www.stopthenato.net info@stopthenato.net...
  • "In this project we wanted to buy Google via its own money. We generated revenues by serving Google text advertisements on a network of hidden websites clicked by bots. With this money we automatically bought Google shares. After this process we
  • Interactive net-based multi screen installation Just tell us a headline or your favorite words and we'll create a modifiable streaming news-station for you. «Breaking The News» is an interactive installation, transmitting in realtime information
  • The Search Drive (2014) is a video work in which some of the same software programs utilized by the NSA to spy on Americans and foreign nationals, residing in America and abroad, are used by an autonomous agent to search through the web for personal
  • GaribaldiMap -
    “GaribaldiMap” intends to map all monuments to Giuseppe Garibaldi, as far as possible, throughout the world. Probably most statues of the “hero of the two worlds” can be found in squares, crossroads or main streets. This could be one of the reasons
  • ... MONSTERS DON'T BLEED. (Thomas Mießgang) 1 http://www.sueddeutsche.de/digital/algorithmen-kontinent-der-zahlen-1.2052884-3...
  • Terrarium -
    TERRARIUM II net based installation explores in the physic space a ground with rocks and a topography where virtual serpents live. The space offers an immersive virtual reality networked environment which allows people to create and control
  • ‚Daemons‘ refers to Vilém Flusser´s ‚Technobildern‘, a philosophy of photography as a new form of communication. Mixing live performance and digital animation, Banz & Bowinkel seek to define the perceptual parameters which depend on the union of the