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  • Joan Truckenbrod, Chair: The Art Gallery: Touchware. ACM SIGGRAPH Electronic Art and Animation Catalogue Computer Graphics Annual Conference Series 1998 ISBN 1-58113-045-7 ISSN 1098-6154 © 1998 ACM Association for Computing Machinery
  • Lavoslava Benčić. An inside look at Oslo's intensive teacher technology training https://web.archive.org/web/20130310022409/edudemic.com/2012/09/an-inside-look-at-oslos-intensive-teacher-technology-training Edudemic (2012).
  • Langgpath -
    Kinetic sculpture that represents in real time the transfer of files from a database of moving bodies. Files of type BVH (biovision hierarchical files) are transferred between servers in the northern and southern hemispheres coinciding with the
  • Information sites https://microartsgroup.com https://geoffdavis.org Micro Arts’ Geoff Davis computer generative art is now in the Francisco Carolinum Museum, Linz, Austria; the Franke Foundation collection, Germany; the Computer Arts Archive, UK;
  • Year Zero -
    Year Zero- Exhibition Concept Open Call 2121 for works to a future audience in hundred years. Text, Video, Networked Performance © Lila Moore, All Rights Reserved In year zero of the Corona pandemic, I called upon Seeker_of_True-files, my
  • Digital Landfill -
    An neverending archive of digital trash. The artist has created an interface, in which the User can copy files from his computer or foreign websites - he can trash them. In a few seconds the files appear in different layers on the monitor. Now you
  • https://14.piksel.no/ https://15.piksel.no/ https://16.piksel.no/ https://17.piksel.no/ https://18.piksel.no/ https://19.piksel.no/ https://20.piksel.no/
  • Packet Garden -
    Packet Garden captures information about how you use the internet and uses this stored information to grow a private world you can later explore. To do this, Packet Garden takes note of all the servers you visit, their geographical location and
  • Recaos -
    When viewers logged on, the first saw the letter C on the lower right corner of the screen. The letter A appeared above the C, followed by a series of letters O moving upwards. This motion was against the default mode of the videotex medium, which
  • Performers interact with images and sounds and manipulate four mobile projection surfaces, orchestrating a set of changing architectural constructions. Spectators circulate freely like visitors to an installation, accessing multiple points of view