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  • SKIN - video
    SKIN is an interactive installation, in which visitors have the opportunity to use a GSR (Galvanic Skin Response) interface, which measures their skin's moisture. The variations of these values are an indication of psychological or physiological
  • SKIN - Performance -
    SKIN is an interactive performance, in which the artist interacts with sounds and images using the GSR (Galvanic Skin Response) interface, which measures her skin's moisture in order to create the audiovisual environment. The variations of these
  • Featured Artist Claudia Robles-Angel
    .. explore the potential of the human body to be an audio-visual instrument ..
  • Featured Artist kondition pluriel
    kondition pluriel is an interdisciplinary digital performance group based in Montreal and Vienna, formed by Marie-Claude Poulin and Martin Kusch. Since its beginnings in 2000, the collective has focused on exploring the performative possibilities of
  • So.So.So. (Somebody, Somewhere, Sometime - video
    So.So.So. is an interactive installation by Maurice Benayoun that plunges the onlooker in the middle of the moment the one of photography which reveals a complex network of characteristic signs from our own experience of reality. What the visitor
  • THE ISLE THAT WAS A BOOK - video
    A revolutionary Poetry Book, programmed in Web Based VRML and conceived for immersion. Texts translated from "Vite de la Banane", available at the New York Public Library, and the urbana Champaign Library of Illinois. Read by the author. The
  • Epidémie -
    Rendre visible l’invisible Parce que l’on parle ici de l’invisible qui détermine notre destin, il est important de lui donner une forme de visibilité. Le danger réside dans l’incapacité du cerveau à dissocier l’importance de la menace de la
  • >=4D. Arte Computacional Interativa -
    Event: >=4D. Arte Computacional InterativaInstitution: Centro Cultural Banco do BrasilComment:
  • Centro Cultural Banco do Brasil
  • Terrarium -
    Curated by Maria Luiza Fragozo and Tânia Fraga.
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