Archive Search

  • Weibel, Peter. Medienkunst, Gewalt, Staat und Subversion. Ein Gespräch mit Rudolf Maresch Symptome, Zeitschrift für epistemische Baustellen 12 (1993): 39-47 and 79f.
  • Jorge Fernández Torres. Oncena Bienal de La Habana: Prácticas artisticas e imaginarios sociales. ISBN: 978-88-89477-54-0 th ed.Habana: Maretti Editore, 2012.
  • Morse, Margaret. Virtually Female: Body and Code In Processed Lives: Gender and Technology in Everyday Life, edited by Jennifer Terry and Melodie CalvertNew York: Routledge Champman and Hall, 1997.
  • 2012 "Project Daejeon 2012: Energy" (September-2. December 2012) Daejeon Museum of Art, Curator: Minkyung Yoo, Minkyung Kim participating artists: Christa Sommerer & Laurent Mignonneau, Eduardo Kac, Laurent Grasso, Ji Haru & Graham Wakefield, Marcos
  • Beiguelman, Giselle and Lucas Bambozzi and Marcus Bastos and Rodrigo Minelli, ed. apropriations of the (un) common public and private space in times of mobility. São Paulo: Instituto Sergio Motta, 2009.
  • Stone, Allucquére Rosanne. Innocence and Awakening: Cyberdämmerung at the Ashibe Research Laboratory In Technoscientific Imaginaries: Conversations, Profiles, and Memoirs (Late Editions Cultural Studies for the End of the Century, No. 2), edited by
  • “get.real” addresses the complex interrelationship of nature/life and technology, literally drawing out the blurred borderlines of our existence. The baby exists (in reality) only in the mother’s body and, yet, its (virtual) presence exceeds these
  • Morse, Margaret. Tender Technology In Art As Signal: Inside the Loop, edited by Krannert Art Museum: 1995.
  • Morse, Margaret. Paul Sermon - Holder of ZKM Stipend 1993 .
  • Blase, Christoph and Margaret Morse. Hardware, Software, ARTwear. Ostfildern-Ruit: Hatje Cantz, 1998.