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  • Haunting the Movie
    Dove, Toni. Haunting the Movie In New Visions in Performance: The Impact of Digital Technologies, edited by Gavin Carver and Colin Beardon, 195pp.. Lisse: Swets and Zeitlinger Publishers, 2004.
  • Elisabeth Diller
    Attended the Cooper Union School of Art and BA in Architecture in 1979. She then taught at the Cooper Union and has been Associate Professor of Architecture at Princeton, NJ, since 1990. The firm of Diller + Scofidio was formed in 1979. Elizabeth
  • Salihbegovic Fahrudin
    Dr Fahrudin Nuno Salihbegovic is a theatre director, visual/sonic artist, interaction designer, and lecturer, specialising in multimedia theatre and interactive digital arts. His work, including theatre productions, digital scenographies, and
  • Utterance 4 - Relational Architecture
    Lozano-Hemmer, Rafael. Utterance 4 - Relational Architecture Performance Research Magazine 4, no. 2 (Summer 1999).
  • Digital Performance: A History of New Media in Theatre, Dance, Performance Art and Installation
    Dixon, Steve. Digital Performance: A History of New Media in Theatre, Dance, Performance Art and Installation. Leonardo Books, Cambridge, MA: MIT Press, 2007.
  • Max Hattler
    Max Hattler is an artist and academic who works with abstract animation, video installation and audiovisual performance. He holds a master's degree from the Royal College of Art and a Doctorate in Fine Art from the University of East London. His
  • Toshio Iwai
    Toshio Iwai is a Japanese interactive media and installation artist who has also created a number of commercial video games. In addition he has worked in television, music performance, museum design and digital musical instrument design. In 1985,
  • Metal Performance: Humanizing Robots, Returning to Nature, and Camping About
    Dixon, Steve. Metal Performance: Humanizing Robots, Returning to Nature, and Camping About TDR 48, no. 4 (Winter 2004).
  • Entangled: Technology and the Transformation of Performance
    Salter, Chris. Entangled: Technology and the Transformation of Performance. Cambridge, MASS: The MIT Press, 2010.
  • Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance
    Chris Salter. Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance In CMMR Post Symposium Proceedings, Springer LNCS Series, : 2008.
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