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  • State of the ArtsArticle includes Acevedo's 6.26.27.86 v02
    Pfizer, Gary. State of the Arts Article includes Acevedo's 6.26.27.86 v02 Computer Graphics World (March 1993).
  • Why a poem in space?
    Marchal, Hugues. Why a poem in space? Espace(s)CNES - The Space Observatory (2017).
  • Char Davies: Osmose
    Grant Marchand, Sandra. Char Davies: Osmose In Project Series, exhibition catalogue Musée d´art contemporain de Montréal, : 1995.
  • Software Archaeology and the Preservation of Code-based Digital Art
    Marchese, Francis T.. Software Archaeology and the Preservation of Code-based Digital Art In Proceedings of Archiving Conference 2013, edited by Society for Imaging Science and Technology, 25-30. Springfield, VA: 2013.
  • Cities/Scenes
    Straw, Will and Janine Marchessault. Cities/Scenes Public , no. 22/23 (2002).
  • Marching Plague
    CAE. Marching Plague. New York: Autonomedia, 2006.
  • Cagebim video
    CAGEBIM is an installation where the visitor interacts. The visitor enters in the room and can read a John Cage's affirmation: " I am always interested in listening to. I am always less interested on the fixed relation between the parts. I am
  • Taken -
    "Taken" is a surveillance installation that provides two readings of the activities in the gallery space. A large gallery space has one wall taken up by two very large projections. On the left hand side, gallery visitors are extracted from the
  • THE PRIX DE ROME IN ARCHITECTURE: A RETROSPECTIVE with images and drawings by Philip Beesley
    Polo, Marco, ed. THE PRIX DE ROME IN ARCHITECTURE: A RETROSPECTIVE with images and drawings by Philip Beesley. Toronto: Coach house Books, 2006.
  • Do Mito, Media & Movimento
    Michelin, Simone. Do Mito, Media & Movimento Concinitas ano 4, no. n.4 (março 2003): 44 a 52.
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