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Das Digitale Archiv Und Seine Inszenierung: Suchen und Finden im vernetzten Wissensraum Kritische Szenografie: Die Kunstausstellung im 21. Jahrhundert, edited by Kai-Uwe Hemken, Bielefeld: transcript Verlag, 2015, pp. 301-314. https://doi.org/10.1515/t 2015

Fleischmann, Monika and Wolfgang Strauss. Das Digitale Archiv Und Seine Inszenierung: Suchen und Finden im vernetzten Wissensraum Kritische Szenografie: Die Kunstausstellung im 21. Jahrhundert, edited by Kai-Uwe Hemken, Bielefeld: transcript
The Nervous Breakdown of the Global Body, an Organic Model of the Connected World 2009

Benayoun, M.. The Nervous Breakdown of the Global Body, an Organic Model of the Connected World Futur en Seine 2009 (2009).
La Montre Verte 2009

Event: La Montre VerteInstitution: Futur en SeineComment:
Open Art, from Transactional Aesthetics to Critical Fusion 2011

Event: Open Art, from Transactional Aesthetics to Critical FusionInstitution: Futur en Seine, La Gaité LyriqueComment:
Hodibis Potax 2007

Kac, Eduardo. Hodibis Potax. Ivry-sur-Seine: Action poétique, 2007.
Mori 1999 - 1999

In Mori, the immediacy of the telematic embrace between earth and visitor questions the authenticity of mediated experience in the context of chance, human fragility, and geological endurance. Mori engages the earth as a living medium. Minute
Das Digitale Archiv Und Seine Inszenierung: Suchen und Finden im vernetzten Wissensraum 2015

Fleischmann, Monika and Wolfgang Strauss. Das Digitale Archiv Und Seine Inszenierung: Suchen und Finden im vernetzten Wissensraum In Kritische Szenografie:Die Kunstausstellung im 21. Jahrhundert, edited by Kai-Uwe Hemkenhttps://
Mori: The Telematic Embrace

Inside the entry curtain, visitors follow a fiber-optic cable to the center of the resonating enclosure where a portal through the floor frames the installation's focal point. The live seismic data stream drives an embedded visual display and
Bloom 2013

Bloom is an internet-based Earthwork that transforms seismic data into an exhuberant display of color. A seismometer at the Hayward Fault continuously measures the Earth's motion and transmits this data over the Internet to the installation, where
Marcello Mercado

Biological theories, mathematical principles, and technology are founding elements in his work. He straddles the boundaries between video art, performance, net.art, music, and painting. An amalgam of nuances from a world ruled by data overload.

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