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  • Press/Enter: Between Seduction and Disbelief
    Power Plant Contemporary Art Gallery, ed. Press/Enter: Between Seduction and Disbelief. Toronto, CAN: Premier Book Marketing, 1995.
  • Homefront -
    HOMEFRONT Surveillance, monitoring, and tracking technologies are not only media of control; they are media of self-reflection and self-awareness. There is a reciprocity between the way that control technologies function and the way that identity
  • L´exposition comme oeuvre
    Courchesne, Luc. L´exposition comme oeuvre In Muséo-séduction, Muséo-réflexion, , 163-168. Quebec City, CAN: Musée de la civilisation and Service canadien des parcs, 1992.
  • Press Enter: Between Seduction and Disbelief, The Power Plant Contemporary Art -
    Event: Press Enter: Between Seduction and Disbelief, The Power Plant Contemporary ArtInstitution: Gallery at Harbourfront CentreComment:
  • Press Enter: Between Seduction and Disbelief -
    Event: Press Enter: Between Seduction and DisbeliefInstitution: The Power PlantComment:
  • Ubermorgen
    Ubermorgen is a group of artists in Vienna, Austria, founded in 1999 by Hans Bernhard (founder of etoy) and Lizvlx. Ubermorgen focuses on exploring contemporary legal issues, especially those of security, privacy and copyright. Übermorgen is the
  • Das Sedanpanorama: Einübung soldatischen Gehorsams im Staatsbild durch Präsenz
    Grau, Oliver. Das Sedanpanorama: Einübung soldatischen Gehorsams im Staatsbild durch Präsenz In Medien der Präsenz. Museum, Bildung und Wissenschaft im 19. Jahrhundert, edited by Jürgen et. al. Fohrmann, 143-169. Köln: DuMont, 2001.
  • Portrait of Eve Clone - video
    I named it Eve Clone as God created Eve, and humans want to play God and created a cloned Eve. I integrate the elements of the human chrysalis and human beast to shape the double identities of Eve Clone, who was both charming and evil. I quoted the
  • OBSERVATORY: CARBON NANOTUBES
    Sound-kinetic diorama exterior: acrylic object in crystalloid like form; interior: relief , turntable, light, sound dim: 115 x 72 x 70 cm The kinetic diorama submerged within and enhanced by the audio environment observed through an opening in the
  • SeeBanff! - video
    SEE BANFF! is an interactive stereoscopic installation. It bears a strong - and intentional - resemblance to an Edison kinetoscope, which made its public debut one hundred years ago in April 1894. It achieved instant popularity, but was short-lived.
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