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Alok B. Nandi
Alok b. Nandi, media author/artist, is active in "new media" since 1994. He is working on cross-media projects, in mixed-realities (virtual, augmented, telepresence ...). He is exploring narrative spaces through cinema, photo, video, new media, ...
12th stuttgart filmwinter
1999
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1999
Event: 12th stuttgart filmwinterInstitution: Wand 5 e. V.Comment:
ISEA 2002 [The Eleventh International Symposium on Electronic Art]
2002
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2002
Event: ISEA 2002 [The Eleventh International Symposium on Electronic Art]Institution: ISEA International1Comment:
Susan Narduli
Susan Narduli is a Los Angeles-based artist and Principal of Narduli Studio – an interdisciplinary design practice with commissions in public art, public spaces, digital installations, light environments, and landscapes. She holds a Bachelor of Fine
Joseph Nechvatal
Joseph Nechvatal's contemporary art practice engages in the fragile wedding of image production and image resistance. Through his version of an art-of-noise, he brings a subversive reading to the human body through computational viruses,
INSN(H)AK(R)ES
2001
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2001
Event: INSN(H)AK(R)ESInstitution: Casa da Cultura Percy Vargas de Abreu LimaComment:
Art and Technology
1997
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1997
Event: Art and TechnologyInstitution: Itaú Cultural InstituteComment:
Brigitte Neufeldt
Statement Seit Mitte der 90er Jahre des letzten Jahrhunderts beschäftige ich mich mit dem urbanen Raum, Naturphänomenen, dem menschlichen Körper, politischen Themen und virtuellen Welten. Im Rahmen meines Kunststudiums habe ich Werke entwickelt,
Robert Nideffer
American digital artist. His work has been exhibited at a variety of national and international venues including the Museo Nacional Centro de Arte in Spain; the Laguna Art Museum in Laguna Beach, California; the Museum of Modern Art in New York,
On Justifying the Hypothetical Nature of Art and the Non-Identicality within the Object World
1992
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1992
Event: On Justifying the Hypothetical Nature of Art and the Non-Identicality within the Object WorldInstitution: Galerie Tanja GrunertComment:
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