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Self-Portrait - 2005
2005
-
2017
video
Marcello Mercado Self-portrait 2005 Documentation of on-line performance/ Biographie 16:9, 7min. 17", Farbe, stereo, 2005
Live streamings from Dolmens
2011
-
2017
video
Marcello Mercado Live streamings from Dolmens, 2011 HD single channel video, 17min 35sec stereo 16:9 black/white/colour DNA-performance-installation- soundart (LIVE) 19/06/11 14:17 PM Dolmen2: 54° 44´23.99" N 11° 47´23.36" E elev. 4m
Azimuth 77
2006
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2006
video
Sebastián Sánchez Zelada and Marcello Mercado Azimuth 77, 2006, Performance, 21 min. 26 sec., stereo 4:3 colour http://vimeo.com/59615529 This video is about a serie of performances that relates specific points in the tracking of Iridium-mobile
Human Genome re-Activation
2011
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2011
video
keywords: bioart, genome, finger, soundart, genetics, synthetic voice, DNA – Sequence alignment, chromosome 1, DNA, Nucleotides, adenine (A), cytosine (C), guanine (G), thymine (T), DNA-Bases Description: Human Genome re-Activation on-line live
Bodygraphe
2015
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2017
Bodygraphe is an interactive, visual music application that unifies gestural computing with live performance art. Dancers become instruments and conductors that wholly generate graphics and sounds that correspond with their movements in real time.
The Swift Erosion of a Crater through Human Intervention
2020
Performance, wall piece, 6 b&w inkjet prints, 27" LCD monitor, video loop, sound, dimensions variable. On life and mortality
SKIN - Performance
2014
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2019
SKIN is an interactive performance, in which the artist interacts with sounds and images using the GSR (Galvanic Skin Response) interface, which measures her skin's moisture in order to create the audiovisual environment. The variations of these
VerbivocoVirtual
2023
Poetry is the art of the word, but it can also be the art of human restlessness before the limits of language. So, it is expected that poets seek to extrapolate the conventional domains of verbal dynamics. One of the ways to do this is to approach
Wahrnehmung der Wirklichkeit, Wirklichkeit der Wahrnehmung
1999
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1999
Nach drei Tagen der Probe wurde die halbstünige ‚Performance’ dem Publikum präsentiert. Als Performer wurden zwei Tänzerinnen, Maya Brosch und Martina Leeker, eingeladen sowie eine Expertengruppe die im anschliessenden Workshop dies für das Theater
Curvature
2015
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2015
video
Robotic object, performance A 3D printing pen attached to a robot in motion produces random topographies out of plastic filament, set at regular intervals. The resulting spatiality oscillates between liability and dissolution. The work was conceived
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