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  • Bennett, Jane. Vibrant Matter: A Political Ecology of Things. Vol.1. ohn Hope Franklin Center Book, 1 th ed.United States of America: Duke University Press, 2010.
  • Bennett, Jane. Vibrant Matter: A Political Ecology of Things. Vol.1. John Hope Franklin Center Book, 1 th ed.United States of America: Duke University Press, 2010.
  • Bennett, Jane. Vibrant Matter: A Political Ecology of Things. Vol.1. ohn Hope Franklin Center Book, 1 th ed.United States of America: Duke University Press, 2010.
  • Eidsheim, Nina Sun. Sensing Sound: Singing and Listening as Vibrational Practice. United States of America: Duke University Press, 2015.
  • Bennett, Jane. Vibrant Matter: A Political Ecology of Things. Vol.1. ohn Hope Franklin Center Book, 1 th ed.United States of America: Duke University Press, 2010.
  • Deeply rooted in art, music, mathematics and technology, Lin Hsin Hsin has composed and realized digital music without sound card and midi instruments since 1985. She has created the first virtual art museum in the world, 1994, designed the 50th
  • Princenthal, Nancy. Code. X: Genome (Review) Art in America (February 2001).
  • Atkins, Robert. State of the (On-Line) Art Art in America (April 1999): 89-95.
  • Rutledge, Virginia. Reality by Other Means Art in America 84, no. 6 (June 1996): 38-39.
  • Katherine Nolan is a contemporary artist who works primarily with video, image and performance. She is also a lecturer, and curates with MART, visual arts organisation. Her work is currently concerned with states of inhabiting the body and