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Time: color
2019
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2019
video
‘Time: color’ consists of an immersive installation that seeks to modify our experience of time by converting hours into color. A set of chromatic clocks, each set to a different GMT time zone, projects, in a semicircle, the current time in their
Davide Bevilacqua
Davide Bevilacqua is a media artist and curator interested in network infrastructures and technological activism, as well as experimental presentation formats for artistic work and research. His current research deals with the environmental and
Techne as poiesis: Seeking Virtual Ground
1997
Davies, Char. Techne as poiesis: Seeking Virtual Ground edited by Roy Ascott, 28. : University of Wales, Newport, 1997.
Seeking Deeper Contact: Interactive Art as Metacommentary
1995
Huhtamo, Erkki. Seeking Deeper Contact: Interactive Art as Metacommentary Convergence 1, no. 2 (Autumn 1995): 81-104.
ZERO1 Biennial
2012
Seeking Silicon Valley - Manifest.AR @ Zero1
Seeking Silicon Valley - Zero1 Biennial
2012
Under the theme Seeking Silicon Valley, the 2012 ZERO1 Biennial will feature work by a diverse group of local, national, and international contemporary artists whose work will transform Silicon Valley into an epicenter for innovative art production
Touching, Traces: The 2020 COVID Election Diaries
2020
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2020
In the first year of the coronavirus pandemic it was thought that transmission was primarily through physical contact. We were hyperaware of the surfaces we touched and of the traces that may or may not be on those surfaces. Indeed, for those alone
Blast
1991
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1996
From its beginning in 1990, Blast has set out to explore contemporary texts and images and their accompanying practices of reading, viewing, and authoring. Blast has conducted these explorations in terms of a publication, investigating the changing
etoy
1994
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2005
1994-1999 etoy.CORPORATION 1999-2005 etoy.holding etoy was the first streetgang on the internet, a glamourous boygroup consisting of designers, architects, popstars, marketing agents and systems engineers/coders with a strong corporate identity
Peep Hole
2011
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2013
This work extends my investigation of shifts in spectatorship in the context of the digital. It seeks to bring a live social context to bear on acts of looking and being looked at that might more commonly occur through digital media. The work aims
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