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  • Tad Hirsch
    Tad Hirsch is a researcher and PhD candidate in the Smart Cities Group at MIT's Media Lab, where his work focuses on the intersections between art, activism, and technology. He has worked with Intel's People and Practices Research Group, Motorola's
  • Prometheus Bound in: Innovation in Australian Arts, Media and Design: Fresh Challenges for the Tertiary Sector
    Helyer, Nigel. Prometheus Bound in: Innovation in Australian Arts, Media and Design: Fresh Challenges for the Tertiary Sector. Germany: Wissler, Rod, Haseman, Brad, Wallace, Sue-Anne, Keane, Michael, 2004.
  • Inner Telescope -
    Permanently Closed The Green Lantern Press is a 501c3 arts organization that produces contemporary art exhibitions, art and literary publications, and free public programs that together facilitate a public, multidisciplinary cultural discourse. The
  • Cultivando o hipercórtex
    Ascott, Roy. Cultivando o hipercórtex In A Arte no Século XXI: A humanização das technologias, edited by Diana Domingues, 336-344. Sao Paulo: University of São Paulo, 1997.
  • A Arte no Século XXI: a humanização das tecnologias
    Domingues, Diana. A Arte no Século XXI: a humanização das tecnologias. São Paulo, BR: Editora UNESP, 1997.
  • Arte e Vida no Século XXI: Tecnologia, ciência e criatividade
    Domingues, Diana. Arte e Vida no Século XXI: Tecnologia, ciência e criatividade. São Paulo, BR: Editora UNESP, 2003.
  • PULSAÇÃO OU ONDA OU VERMELHO, NÃO VERDE -
    Galeria do Século XXI
  • (W)orld Currency -
    "This artwork illustrates a global currency through the creative formulation of an equation and a trading algorithm for the currency exchange market. The visionary creation of algorithmic trading combines art with the material that governs
  • Euopean Media Art Festival 1990
    ... the festival offered not only a forum for the...
  • Forty Part Motet
    Thomas Tallis, one of the most influential English composers of sixteenth century, wrote Spem in Alium nunquam habui, a choral work for eight choirs of five voices, to mark the fortieth birthday of Queen Elizabeth I in 1575. This piece of music
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