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Chris Salter. Reflections on the 8th International Biennale of Champ Libre Etc: Revue de L’Art Actuel (March 2009).

Licklider, Joseph Carl Robnett. Man-Computer Symbiosis Transactions on Human Factors in Electronics HFE-1 (March 1960): 4 - 11.

Spruch, Grace Marmor. Two Contributions to the Art and Science Muddle; A Report on a Symposium on Art and Science Held at the Massachusetts Institute of Technology, March 20 - 22, 1968 Artforum VII, no. 5 (January 1969): 28-32.

Zwingenberger, Jeanette. Les corps mutants des artistes. Bio-art Rue Descartes 'La Metamorphose' , no. 64 (March 2007).

Reinaldo Laddaga. From Work to Conversation: Writing and Citizenship in a Global Age PMLA 112, no. 2 (March 2007): 449-463.

Beatty, Fatima. Serial Images and Reading the City Surrey604 Mar 15, 2012 (March 2012): http://surrey604.com/serial-images-and-reading-the-city/.

JOSEPHINE BOSMA. Automatic Rain http://rhizome.org/editorial/2017/mar/24/automatic-rain/ [27.March.2017].

Barbara Pollack. JODI at EYEBEAM, New York Art in America (March 2014).

Reinhuber, Elke. Counterfactualism – a new category for fine arts and humanity, dealing with the retrospective analysis of turning points in life Phd Thesis, COFA/UNSW, Sydney, March 2013.

Nagy, Vasja. Uršula Berlot: Transparentno telo (Vanitas)/Transparent Body (Vanitas), Gallery Domžale, 7th – 23th of March 2013 Domžale: Kulturni dom Franca Bernika (2013).