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  • Sonic Antarctica
    ... a place where the compass becomes mean<span class="hit">inglesspan>s, yet, navigation is a matter of life and...
  • 4 Space -
    In this interactive installation, three viewers are able to manipulate components of a computer-generated image using multi-axis joysticks positioned in front of a projection screen. The image is a half octagonal cylinder that is divided into three
  • Preservation of Digital Art, Theory and Practice
    Serexhe Bernhard. Preservation of Digital Art, Theory and Practice. ISBN 978-3-7091-1469-8, EU program INTERREG IV Oberrhein: Ambra V, Vienna, 2012.
  • The Meadow -
    THE MEADOW explores and manifests the metaphorical space which lies between the 'simulated' and the 'real' - a space to which artists are inevitably drawn. Ambiguity and irony also share this space, and it is here that new
  • European Media Art Festival 1988
    The European Media Art Festival was held under this name for the first time in the European Film and Television Year of 1988. The concept envisaged offering visitors and participating artists an informative programme by jointly presenting different
  • Gegenwelten -
    In cooperation with Roemer- und Pelizaeus-Museum Hildesheim
  • Nouvelles technologies, image et réseaux
    Event: Nouvelles technologies, image et réseauxInstitution: journées AMCSTI, Cité des Sciences de la VilletteComment:
  • The Neighbour -
    "The neighbour, neither friend nor enemy, is the one who may not be in your "network", but is nevertheless in your world." (Sukumaran) This ambitious project is Sukumaran's first major one-person exhibition in the UK. In The Neighbour, two
  • Narrative and Interactivity
    Legrady, George. Narrative and Interactivity In Present Formations, edited by Hubertus von Amelunxen and Antje Krause-WahlKiel: Muthesius-Hochschule, Kiel, 2001.
  • Photography after the Photography. Memory and Representation in the Digital Age
    Von Amelunxen, Hubertus and Florian Rötzer, ed. Photography after the Photography. Memory and Representation in the Digital Age. Amsterdam: Art Stock, 1996.
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