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Tuer, Dot. The Second Nature of Simulation: Mirroring the Organic in the Virtual World of Char Davies's Ephémère In Char Davies: Ephémère, edited by National Gallery of CanadaOttawa, ON, Canada: 1998.

Hansen, Mark. Embodying Virtual Reality: Touch and Self-Movement in the Work of Char Davies Critical Matrix: The Princeton Journal of Women, Gender and Culture 12, no. 1-2 (2001): 112-147.

Heim, Michael. Virtual Realism. Oxford: Oxford University Press, 1998.

Goldberg, Ken. Virtual Reality in the Age of Telepresence Convergence Journal 4, no. 1 (Spring 1998): 33-37.

Davies, Char. Espaces Entrelacés: Virtual Reality as Poeisis In Prefiguring Cyberculture: An Intellectual History, edited by Darren Tofts and Annemarie Jonson and Alessio Cavallaro, 192-193. Cambridge, MA: The MIT Press, 2002.

O`Donoghue, Karl. Virtual Ecology: The Work of Char Davies In Thought Lines 3: An Anthology of Research, edited by Paul O´Brien, 284-294. Dublin: National College of Art and Design, 1999.

Davies, Char. Virtual Space In Space: In Science, Art and Society, edited by Francois Penz and Gregory Radick and Robert Howell, 69-104. Cambridge: Cambridge University Press, 2004.

Davies, Char. Ephémère: Landscape, Earth, Body, and Time in Immersive Virtual Space In Reframing Consciousness, edited by Roy Ascott, 196-201. Portland: Exeter, 1998.

Davies, Char. Landscape, Earth, Body, and Time in the Immersive Virtual Environments Osmose and Ephémère In Women, Art, and Technology, edited by Judy Malloy, 322-337. Cambridge, London: MIT Press, 2003.

Huang, Jeffrey and Muriel Waldvogel. Swisshouse: A Prototype Collaborative Environment -The Value Of Physical Context For Virtual Interaction In Proceedings of Second Workshop on Advanced Collaborative Environments, Edingburgh, Scottland,