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  • Ceci n'est pas un oiseau -
    Ceci n'est pas un oiseau is a projection installation comprising a specially built animation projector and a system of four automated semi-transparent screens. The projector projects a looped series of images of a cockatoo in flight onto the four
  • Transmediale '99 -
    With a new byline ‘international media arts festival berlin‘, transmediale invited artists, scientists and commercial producers in 1999 to present digital worlds and beings in films, video and games. It acknowledged the entertainment industry and
  • European Media Art Festival 1988
    The European Media Art Festival was held under this name for the first time in the European Film and Television Year of 1988. The concept envisaged offering visitors and participating artists an informative programme by jointly presenting different
  • V2_Lab for the Unstable Media
  • Unstable -
    Computer graphic installation Images of stars and galaxies are displayed as pixels of light whose structure is randomized by computer processing. These are projected onto a large curved metal sheet whose galvanized surface reflects the light to
  • Trans-E: My Body, My Blood video
    In TRANS-E digital technologies provide us with an electronic ritual. Bodies connected by interfaces dialogue with computer electronic memories and can experience "virtual hallucinations" in real time. These "hallucinations" are managed by
  • Under the Surface: Mining & Minerals’, -
    Event: Under the Surface: Mining & Minerals’,Institution: ScitechComment:
  • Visions of Hildegard, C
    en los últimos años. Twenty-six Visions of Hildegarde. 30" by 22", 2000. Algorithmic pen and ink drawing on paper with 4 gold leafed medallions. (Original algorithmic procedures date from the early 1990's.) Los dibujos de la familia
  • The Value of Art -
    2013 The Brick Lane Gallery (28. Februar bis 11. März 2013 ) Annex 93-95 Sclater St. E16HR, London, England
  • What will come (Has already come) -
    This installation features the debut of an important new addition to the SCMA collection, “What Will Come” (2006), a major film by the South African artist William Kentridge. One of the most innovative aspects of Kentridge’s work is his hand-drawn
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